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WEDLOCKED

A MEMOIR

As this personal essay veers toward polemic, its humorless author seems a little too proud of his bravery at voicing the...

What purports to be an unflinchingly, devastatingly honest look at the author’s marriage—and the institution of American marriage in general—instead reveals its layers of deceit, even self-deception.

There must be some domestic discord in the air. Thematically, this memoir by writing professor and literary essayist Ponteri shares much with the recent Judd Apatow film, This is 40, in which the director cast his wife and daughters in a marital comedy drawn from their real life, a movie that even those who found it often funny considered dark and edgy, often uncomfortable. “The phrase married man suggests a man who cannot love other women, a man doomed to loneliness,” writes the author, who confesses “the best sex I’ve ever had is in my head.” And his head is where this memoir necessarily unfolds, as he combines every woman he desires in the way he no longer does his wife into the singular Frannie, “a composite. Frannie is every girl my wife is not. Frannie is the other woman I draw into my fantasy world, every woman to which I masturbate, every woman I ogle.” Frannie is also the focus of a manuscript to which the author devoted “90 minutes a day, five days a week, all this time spent exploring our marriage separate from my wife,” a manuscript found by his wife. She understandably felt betrayed, yet did the author really betray her with a woman who didn’t exist? Even as it explores the layers of truth that are possible within a memoir and the inventions and distortions of memory on which it depends, the writing suffers when it moves from the author’s marriage to marriage itself, the “tight, toxic silence around marriage” that results in “not only our personal failures at marriage but our culture’s collective failure at marriage, the failure of an institution.”

As this personal essay veers toward polemic, its humorless author seems a little too proud of his bravery at voicing the unspeakable, shattering the taboo.

Pub Date: May 14, 2013

ISBN: 978-0983850489

Page Count: 174

Publisher: Hawthorne Books

Review Posted Online: Jan. 7, 2013

Kirkus Reviews Issue: Jan. 15, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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