Cover art for MADE FROM SCRATCH

MADE FROM SCRATCH

Reclaiming the Pleasures of the American Hearth
Buy now from
AMAZON.COM
BARNES & NOBLE
LOCAL BOOKSELLER
Add to my list

KIRKUS REVIEW

A confused tribute to women’s traditional roles.

Nostalgic for a past she never experienced, Zimmerman (Raising Our Athletic Daughters, 1999, etc.) sets out to document the “dying art” of domestic science. The author’s grandmother, born in 1913, was “the last of the old-fashioned American homemakers,” she states; her mother rejected sewing and time-consuming cooking but was still a fairly typical 1950s housewife. Zimmerman herself initially disdained all things domestic, but now she proposes that women “take back” domesticity. Since women have entered the workforce in large numbers, she argues, the domestic arts have taken a nosedive—cooking especially, but also housecleaning and sewing. “The fact is that men never responded to feminists’ demand that they do half the household chores,” which means, in her view, that they remain women’s tasks. The author doesn’t examine class- or race-based perspectives on homemaking; her focus is entirely on white, middle-class women, though she never says so explicitly. Conflicts abound. Zimmerman laments the death of baked goods, yet serves her guests strawberry cake made with prepackaged cake mix and occasionally gives her daughter an Oscar Mayer lunch kit to take to school. She is “shocked” to see a woman at the grocery store buying pre-made cookie mix and frozen strudel, yet her own dinner fare includes taco dinner kits and boxed macaroni and cheese. Some of the chapters are sharply focused and provide detailed histories of domestic science. The author chronicles the rise of home economics as an academic discipline, noting that many women were able to springboard from home ec to the hard sciences and careers in teaching or manufacturing. A chapter on the evolution of processed food is also well researched and illuminating. It’s a shame, then, that Zimmerman overromanticizes homemaking as a “source of personal strength and dignity” to all women and lets melodrama overtake logic in declarations such as: “The loss of our homeways portends the death of the home itself.”

Exasperating and thoughtful in equal portions.

Pub Date: May 5th, 2003
ISBN: 0-684-86959-4
Page count: 304pp
Publisher: Free Press
Review Posted Online:
Kirkus Reviews Issue: March 1st, 2003



MORE BY JEAN ZIMMERMAN

Fiction Cover art for THE ORPHANMASTER
by Jean Zimmerman
Nonfiction Cover art for LOVE, FIERCELY
by Jean Zimmerman
Nonfiction Cover art for THE WOMEN OF THE HOUSE
by Jean Zimmerman
Nonfiction Cover art for LIFE AFTER BIRTH
by Kate Figes


SIMILAR BOOKS SUGGESTED BY OUR CRITICS:

Nonfiction Cover art for HOMEWARD BOUND
by Emily Matchar