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KALI'S SONG

Minimalism brilliantly brings a distant time near. (Picture book. 2-6)

Thousands of years ago, a boy chooses to use his bow for music rather than hunting, charming animals and eventually his tribe with hypnotic song.

Winter’s friendly folk-art illustrations offer an appealingly uncomplicated visual narrative, one as effortlessly expressive as the cave paintings Kali’s mother creates on their rock walls. Trees, hunters, rolling hills and woolly mammoths appear with such unaffected clarity (thanks to generous spacing between shapes, figures and text) that they seem as authentic as realistic renderings. Children gain confidence interpreting pages so assuredly illustrated, and their feeling for Kali will grow as his life comes into focus. Winter’s rudimentary acrylic, pen and ink illustrations look a little like elementary-school dioramas (evergreens perch awkwardly on hillsides, frozen figures point with stubby fingers and mouths open, miniaturized hunting scenes seem almost silly), but her pictures (atop frayed, mottled handmade papers) brilliantly evoke primitive times. Each spread’s warmth, accessibility and kindliness make visiting a far-away century immensely pleasurable. Muted blues, browns and ruddy reds soften Kali’s world of hunting, caves and manly expectations, bringing him close to children as they lean close to listen. After weeks of ditching hunting practice and instead playing his bow until stars “c[o]me close to listen,” the day of the big hunt worries Kali and his readers alike. When his music stills both mammoths and their hunters, Kali's future changes forever.

Minimalism brilliantly brings a distant time near. (Picture book. 2-6)

Pub Date: March 13, 2012

ISBN: 978-0-375-87022-4

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 3, 2012

Kirkus Reviews Issue: Jan. 15, 2012

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NOISY DINOSAURS

From the My First Touch and Feel Sound Book series

Young dino fans will enjoy it, though their grown-ups may not.

What sounds did dinosaurs make? We don't really know.

Litton suggests some possibilities while introducing sophisticated vocabulary in a board-book format. Five dinosaurs are featured: Tyrannosaurus rex, Stegosaurus, Pterodactyl, Diplodocus, and Triceratops. For each species there is a brief description that highlights its distinctive features, followed by an invitation to hear and repeat the dinosaur's sound. There is no explanation for why scientists think T. Rex “roared,” Stegosaurus “howled,” Pterodactyl “screeched,” Diplodocus “growled,” or Triceratops “grunted.” The author tries to avoid sexism, carefully referring to two of the creatures as “she,” but those two are also described in stereotypically less-ferocious terms than the male dinos. The touch point on the Pterodactyl is a soft section of wing. Readers are told that Diplodocus “loved splashing in swamps,” and the instruction is to “tickle her tummy to hear her growl,” implying that this giant creature was gentle and friendly. None of this may matter to young paleontologists, who will enjoy finding the tactile section on each creature that triggers the sound. Despite extensive directions in small print, most parents and libraries won't bother to change the battery secured by a tiny hex screw, but while the battery lasts, the book will get lots of play.

Young dino fans will enjoy it, though their grown-ups may not. (Board book. 2-4)

Pub Date: Sept. 1, 2015

ISBN: 978-1-58925-207-3

Page Count: 12

Publisher: Tiger Tales

Review Posted Online: Aug. 4, 2015

Kirkus Reviews Issue: Jan. 1, 2016

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DIGGERSAURS

Count on construction die-hards falling in love, but discerning readers would be wise to look elsewhere for their...

Less ambitious than Chris Gall’s widely known Dinotrux (2009) and sequels, this British import systematically relegates each dinosaur/construction-equipment hybrid to its most logical job.

The title figures are introduced as bigger than both diggers and dinosaurs, and rhyming text and two construction-helmeted kids show just what these creatures are capable of. Each diggersaur has a specific job to do and a distinct sound effect. The dozersaurus moves rocks with a “SCRAAAAPE!!!” while the rollersaurus flattens lumps with a cheery “TOOT TOOT!!” Each diggersaur is numbered, with 12 in all, allowing this to be a counting book on the sly. As the diggersaurs (not all of which dig) perform jobs that regular construction equipment can do, albeit on a larger scale, there is no particular reason why any of them should have dinosaurlike looks other than just ’cause. Peppy computer art tries valiantly to attract attention away from the singularly unoriginal text. “Diggersaurs dig with bites so BIG, / each SCOOP creates a crater. // They’re TOUGH and STRONG / with necks so long— / they’re super EXCAVATORS!” Far more interesting are the two human characters, a white girl and a black boy, that flit about the pictures offering commentary and action. Much of the fun of the book can be found in trying to spot them on every two-page spread.

Count on construction die-hards falling in love, but discerning readers would be wise to look elsewhere for their dino/construction kicks. (Picture book. 3-6)

Pub Date: April 2, 2019

ISBN: 978-1-9848-4779-9

Page Count: 32

Publisher: Random House

Review Posted Online: Jan. 14, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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