An emotional meditation on coming home to yourself.
A down-on-his-luck musician returns to his hometown after the death of his best friend.
Colton Gentry should be riding high. His latest single is lighting up country radio, he’s opening for superstar Brant Lucas, and he’s married to one of the biggest singers in the business, Maisy Martin. But his best friend, Duane Arnett, has just been killed in a mass shooting at a country music festival in Tampa, and Colton is struggling through a fog of grief, unsuccessfully drowning his sorrows in alcohol, and dealing with the fallout of an interview he gave calling for gun control. Drunk on stage one night, Colton angrily responds to gun rights hecklers in front of thousands of conservative country fans. He’s dropped from the tour and his record label, and his marriage to Maisy implodes. Now back in his hometown of Venice, Kentucky, Colton resigns himself to life as a has-been. But when he runs into his high school sweetheart, Luann Lawler, a chef working in town, she offers him a job and another chance at life—and love. Shifting among Colton’s three acts—the high school football phenom of rural Kentucky, the honey-voiced country singer in Nashville, and the preternaturally gifted farm-to-table sous chef—sometimes feels like too many disparate strings are being played, especially when subplots about grief, divorce, second-chance romance, substance abuse, and celebrity all get stage time. Readers expecting the novel to focus heavily on Colton crusading for gun control may be disappointed, as the catalyst for his return to Kentucky falls mostly to the wayside once he gets there. But with a deft hand and lush, descriptive writing, the author manages to weave it all together into a yarn worthy of a classic country record.
An emotional meditation on coming home to yourself.Pub Date: April 30, 2024
ISBN: 9781538756652
Page Count: 400
Publisher: Grand Central Publishing
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Great crime fiction.
An apparent suicide threatens to destroy an Irish farm town in the final volume of French’s Cal Hooper trilogy.
In the fictional western Ireland townland of Ardnakelty, “there’s a girl going after missing.” Soon young Rachel Holohan is found dead in the river. Shortly before, she had stopped at Lena Dunne’s home, and nothing had seemed amiss. The medical examiner determines she’d swallowed antifreeze, and he presumes she then fell from a bridge into the water. The medical examiner and the town agree she’d died by suicide. But there is far more to the plot: 16-year-old Trey Reddy thinks Tommy Moynihan murdered Rachel. Moynihan doles out favors and punishments to the local townsfolk, who know it’s best not to cross him. Now rumors spread that Moynihan wants land and has a secret plan to forcibly buy up parcels from the locals. A factory will be built, or a great big data center, or who knows what. If Tommy’s son, Eugene, can get elected to the local council, then compulsory purchase orders for land will follow, and the farms will disappear. Eugene, who’d been romantically involved with Rachel, is wonderfully described as “on the weedy edge of good-looking” and just fine as long as you “don’t have high expectations in the way of chins.” Lena is engaged to the American Cal Hooper, an ex-cop turned woodworker. They are “more or less raising” Trey, and these three core characters are drawn into the mystery of Rachel’s death and may have to face the looming clouds of civilizational change for Ardnakelty. Lena is chastised for “asking your wee questions all round the townland,” and Trey wants to quit school, against Cal’s advice. Finally, the story’s best line: “You can’t go killing people just because they deserve it.”
Great crime fiction.Pub Date: March 31, 2026
ISBN: 9780593493465
Page Count: 496
Publisher: Viking
Review Posted Online: Dec. 26, 2025
Kirkus Reviews Issue: Feb. 1, 2026
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