“The salmon fry swirled and splashed as they scattered, / ‘Spawn and die, spawn and die, spawn and die’ they all chattered.”
Lest children imagine that life is fair or safe, James offers a brutally naturalistic view of a salmon’s abruptly truncated journey. Separated from his best friend Jenny, Sukai leaves the ocean when his time comes to travel upriver and die with his fellow salmon. Unexpectedly catching her scent in the water, he “splashed with his tail excited to spawn, / But Jenny’s body was rotten and her eyes, they were gone.” Sukai achieves his apotheosis, but not in the way he intends: Before he can “sow his seed,” he is snatched by a bear, who takes a bite and leaves his corpse on the riverbank where “[t]housands of insects gathered and ate. / Transferring nutrients, minerals and valuable nitrates.” Featuring writhing maggots, blinking eyes and other small animations, plus occasional touch-activated nature sounds, the Canadian artist’s disorienting but distinctive illustrations place figures rendered in highly stylized Northwest Coast motifs into realistically painted outdoor settings. Readers disquieted by his lurid, ham-fisted verse and sometimes-disturbing pictures will find several blander mazes and coloring pages accessible through a link on every screen. Makes Arlene Sardine look like My Little Pony. (iPad storybook app. 9-11)
Pub Date: Aug. 30, 2012
ISBN: N/A
Page Count: -
Publisher: Jeffrey James
Review Posted Online: Oct. 2, 2012
Kirkus Reviews Issue: Nov. 1, 2012
Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay.
Renowned Latin American writer Alvarez has created another story about cultural identity, but this time the primary character is 11-year-old Miguel Guzmán.
When Tía Lola arrives to help the family, Miguel and his hermana, Juanita, have just moved from New York City to Vermont with their recently divorced mother. The last thing Miguel wants, as he's trying to fit into a predominantly white community, is a flamboyant aunt who doesn't speak a word of English. Tía Lola, however, knows a language that defies words; she quickly charms and befriends all the neighbors. She can also cook exotic food, dance (anywhere, anytime), plan fun parties, and tell enchanting stories. Eventually, Tía Lola and the children swap English and Spanish ejercicios, but the true lesson is "mutual understanding." Peppered with Spanish words and phrases, Alvarez makes the reader as much a part of the "language" lessons as the characters. This story seamlessly weaves two culturaswhile letting each remain intact, just as Miguel is learning to do with his own life. Like all good stories, this one incorporates a lesson just subtle enough that readers will forget they're being taught, but in the end will understand themselves, and others, a little better, regardless of la lengua nativa—the mother tongue.
Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay. (Fiction. 9-11)Pub Date: March 1, 2001
ISBN: 0-375-80215-0
Page Count: 160
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Using the multiple voices that made Bull Run (1995) so absorbing, Fleischman takes readers to a modern inner-city neighborhood and a different sort of battle, as bit by bit the handful of lima beans an immigrant child plants in an empty lot blossoms into a community garden, tended by a notably diverse group of local residents. It's not an easy victory: Toughened by the experience of putting her children through public school, Leona spends several days relentlessly bulling her way into government offices to get the lot's trash hauled away; others address the lack of readily available water, as well as problems with vandals and midnight dumpers; and though decades of waging peace on a small scale have made Sam an expert diplomat, he's unable to prevent racial and ethnic borders from forming. Still, the garden becomes a place where wounds heal, friendships form, and seeds of change are sown. Readers won't gain any great appreciation for the art and science of gardening from this, but they may come away understanding that people can work side by side despite vastly different motives, attitudes, skills, and cultural backgrounds. It's a worthy idea, accompanied by Pedersen's chapter-heading black-and-white portraits, providing advance information about the participants' races and, here and there, ages. (Fiction. 9-11)
Pub Date: May 11, 1997
ISBN: 0-06-027471-9
Page Count: 69
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1997
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