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HERE I GO AGAIN

Quantum physics was never funnier. A great read.

In a whimsical twist on the Back to the Future scenario, a bully returns to her high school days to right some wrongs.

At 17, Lissy Ryder was the Mean Girl of Lyons Township High in suburban Chicago. As head cheerleader and girlfriend of the football team captain, Duke, she had a clique of cool girls in her thrall, and she persecuted anyone who was different or nonconformist. Now 37, Lissy, a publicist, lives only to overspend. After she’s fired by her PR firm for shirking, her husband, Duke, stops covering her massive debts and asks for a divorce. She’s gained a few pounds since moving back to her parents’ house and is not looking forward to the 20-year reunion of LTH’s class of ’92. Hoping to network with her former sycophants, she’s appalled to find that, without exception, her victims have outclassed and outperformed her. Amy, a girl Lissy mocked for her long nose, is now a plastic surgeon to the stars. One-time hippie outcast Debbie is now Deva, a New-Age entrepreneur. Brian, a dorky but attractive neighbor Lissy dumped for Duke, is an Internet couponing mogul. At the reunion, Lissy is the pariah. When Deva gives her a rare Incan potion, Lissy thinks it’s a hangover cure, until she wakes up in her parents’ house—in 1991! Lissy seizes this opportunity to avoid karmic missteps, dialing down the meanness. Back in the future, Lissy is not only happily hitched to Duke, but as the CEO of a thriving Chicago PR firm, is supporting him. She has it all, including the Birkin bag and the Gold Coast town house. However, now her victims are failures: Brian toils in a grim cubicle, the plastic surgeon is a trailer-trash drunk, etc. How can Lissy rectify the unintended consequences of her well-meaning do-over? The answer, while subject to many of the logical sinkholes typical of parallel-universe tales, is still unexpected enough for a fitting and none too treacly close.

Quantum physics was never funnier. A great read.

Pub Date: Jan. 29, 2013

ISBN: 978-0-451-23672-2

Page Count: 320

Publisher: NAL/Berkley

Review Posted Online: Oct. 9, 2012

Kirkus Reviews Issue: Nov. 1, 2012

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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