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THE HEIRLOOM LIFE GARDENER

Name: THE HEIRLOOM LIFE GARDENER
Author: Jere Gettle
ISBN: 978-1-4013-2439-1

THE BAKER CREEK WAY OF GROWING YOUR OWN FOOD EASILY AND NATURALLY

by Jere Gettle & Emilee Gettle with Meghan Sutherland ‧ RELEASE DATE: Oct. 1, 2011

Readers will find the ancestral versions of the most common produce so markedly different from their grocery-store...

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The founders of Baker Creek Heirloom Seed Company present an overview of the heirloom seed movement.

When other kids his age were outdoors playing tag, Jere Gettle spent his childhood combing through seed catalogues. It was then that he first noticed a disturbing trend: Each year an increasing number of seeds were disappearing. To counteract this, he started saving his own seeds. Fast forward two decades later and Gettle, along with wife Emilee, are now the proprietors of one of the country’s most successful heirloom seed companies. Jere, who the New York Times once referred to as “the Indiana Jones of seeds,” has traveled the world in search of the seeds he now makes readily available to consumers. In their debut book, the Gettles show novices how to get away from the standard fare found in their neighbors’ plots and grow truly amazing varieties. Their primer opens with an introduction to heirloom variety seeds and a basic gardening guide before moving on to highlight a variety of backyard favorites. Beginning alphabetically with amaranth and ending with watermelon, the Gettles cover the cultivation, cooking and seed-saving for an extraordinary number of plant varieties.

Readers will find the ancestral versions of the most common produce so markedly different from their grocery-store counterparts that they might think they’ve been farmed on a different planet altogether.

Pub Date: Oct. 1, 2011

ISBN: 978-1-4013-2439-1

Page Count: 256

Publisher: Hyperion

Review Posted Online: Oct. 1, 2011

Kirkus Reviews Issue: Oct. 15, 2011

Categories:

GENERAL NONFICTION

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.