Though engaging, this app calls more attention to the medium than the message behind this wonderfully disturbing tale.
Multimedia collage tells the tale of a child prodigy’s struggle with madness in this app version of the novel for teens.
On paper, Anthony and Corral pushed narrative’s edge in this unsettling tale of star-crossed love and burgeoning talent. The app does as well. Using snapshots, newspaper clippings, postcards, concert programs, text-messaging conversations and illustrations, Anthony and Corral present a scrapbook-style biography of Gloria “Glory” Fleming’s extraordinary life from before birth to her disappearance at age 17. Glory’s prodigal talent as a pianist gains her world renown, and her love for Frank Mendoza, the boy next door, appears to be able to surmount all obstacles. But when Glory starts introducing the basic Chopsticks theme in performance and then finds she can’t stop, the shadow of madness casts a pall over the story, leading readers to wonder whether Frank even exists. This app’s interactive features underscore Glory’s instability. With the ability to zoom in, for example, readers can play detective and scrutinize key objects in the story, such as a wine bottle's label, that contradict her account. The ability to move photos on the page suggests their transience, and touch-screen English translations of Spanish passages make the spare text even more accessible. It's a pity that the app does not make fuller use of an audio recording of Chopsticks; instead, it relies on Internet access to view embedded links to YouTube clips (which don’t add appreciably to the work), making it less portable than the print version.
Though engaging, this app calls more attention to the medium than the message behind this wonderfully disturbing tale. (iPad book app. 15 & up)Pub Date: Feb. 2, 2012
ISBN: N/A
Page Count: -
Publisher: Penguin
Review Posted Online: May 8, 2012
Kirkus Reviews Issue: June 1, 2012
BOOK REVIEW
Troubled teen meets totemic catalyst in Mikaelsen’s (Petey, 1998, etc.) earnest tribute to Native American spirituality. Fifteen-year-old Cole is cocky, embittered, and eaten up by anger at his abusive parents. After repeated skirmishes with the law, he finally faces jail time when he viciously beats a classmate. Cole’s parole officer offers him an alternative—Circle Justice, an innovative justice program based on Native traditions. Sentenced to a year on an uninhabited Arctic island under the supervision of Edwin, a Tlingit elder, Cole provokes an attack from a titanic white “Spirit Bear” while attempting escape. Although permanently crippled by the near-death experience, he is somehow allowed yet another stint on the island. Through Edwin’s patient tutoring, Cole gradually masters his rage, but realizes that he needs to help his former victims to complete his own healing. Mikaelsen paints a realistic portrait of an unlikable young punk, and if Cole’s turnaround is dramatic, it is also convincingly painful and slow. Alas, the rest of the characters are cardboard caricatures: the brutal, drunk father, the compassionate, perceptive parole officer, and the stoic and cryptic Native mentor. Much of the plot stretches credulity, from Cole’s survival to his repeated chances at rehabilitation to his victim being permitted to share his exile. Nonetheless, teens drawn by the brutality of Cole’s adventures, and piqued by Mikaelsen’s rather muscular mysticism, might absorb valuable lessons on anger management and personal responsibility. As melodramatic and well-meaning as the teens it targets. (Fiction. YA)
Pub Date: Feb. 28, 2001
ISBN: 0-380-97744-3
Page Count: 256
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2001
The poster boy for relentless mischief-makers everywhere, first encountered in No, David! (1998), gives his weary mother a rest by going to school. Naturally, he’s tardy, and that’s but the first in a long string of offenses—“Sit down, David! Keep your hands to yourself! PAY ATTENTION!”—that culminates in an afterschool stint. Children will, of course, recognize every line of the text and every one of David’s moves, and although he doesn’t exhibit the larger- than-life quality that made him a tall-tale anti-hero in his first appearance, his round-headed, gap-toothed enthusiasm is still endearing. For all his disruptive behavior, he shows not a trace of malice, and it’ll be easy for readers to want to encourage his further exploits. (Picture book. 5-7)
Pub Date: Sept. 1, 1999
ISBN: 0-590-48087-1
Page Count: 32
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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