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PAST FORGETTING

A misty memoir of amnesia triggered by a swimming pool accident, and the slow, painful retrieval of memory. The swimming-pool episode was apparently caused by an epileptic seizure, and Robinson was to learn that she had suffered from undiagnosed epilepsy since she was a child. The daughter of writer/movie mogul Dore Schary, she grew up in southern California, where her schoolmates and playmates were the likes of Robert Redford. A career as a relatively successful novelist (Star Country, 1996, etc.) included two husbands and two children before she settled in London with her third spouse, the extaordinarily patient and understanding hero of this work. When Robinson wakes from a brief coma following the accident, she doesn—t know him. Although she accepts his and others’ word that this man is her husband, it’s apparently years before she is able to collate the memories of their mutual history. The Hollywood years are most vivid to the starstruck Robinson, and within the first 20 pages, there is mention of Dennis Hopper, Jane Fonda, and Cary Grant, with Barbra Streisand (a good friend), Erica Jong, Betty Friedan, Helen Gurley Brown, and others. Most interesting are descriptions of Robinson’s efforts to restore her memory, including reading her husband’s detailed journals of their years together and rereading her own books. She also keeps careful notes of day-to-day encounters, because she often cannot recall from one room to the next where she is or why she is there. She continues to write and never loses her ability to cook or her taste for clothes. A new doctor and new medication to control the seizures assist in her recovery. An intriguing but confusing view from inside the author’s head that would be considerably improved by observations from the likes of Barbra and Erica about their now-forgetful friend.

Pub Date: Sept. 1, 1999

ISBN: 0-06-019430-8

Page Count: 288

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1999

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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