A charmingly breezy tone marks this warm appraisal of our addiction to stuff.
If things are not people, then why do they seem to matter so much? A hoarder and organizational expert clash in this light, amusing novel from Smolinski (The Next Thing on my List, 2007, etc.).
Lucy Bloom, author of Things are Not People, a book no one seems to have read, is ironically bereft of possessions. Aside from her beloved red Mustang, Lucy has sold her home and its contents, using the proceeds to put her teenage son, Ash, in rehab. Admirable, but now Ash won’t speak to her and somehow she lost her boyfriend, Daniel, along the way, too. Broke and lonely, Lucy lands a dream job: help Marva Meier Rios clear her house of clutter in 52 days, and she’ll have enough cash to get back on her feet. Of course the reclusive artist makes the job impossible, forcing Lucy to debate the merits of every fork, candlestick and flamingo-shaped umbrella holder. Under pressure from Marva’s son to get the job done, not to mention pressure from the gorgeous Niko to take a break, Lucy surprises herself by asking Daniel for help. Just as Lucy tries to help Marva de-clutter her house, so Daniel helps Lucy de-clutter her memory. Lucy and Marva must accept that things may not be people, but people do bind themselves to their things with memories and emotions. Only after Marva confesses the big secret of her life—the secret that has bound her past emotions into all of the objects in her home—is she able to let go of the clutter and begin anew. And Lucy may have let go of a lot of things, but she hasn’t released the memories—some true, some misremembered—that bind her to Ash and Daniel.
A charmingly breezy tone marks this warm appraisal of our addiction to stuff.Pub Date: May 1, 2012
ISBN: 978-1-4516-6075-3
Page Count: 320
Publisher: N/A
Review Posted Online: April 1, 2012
Kirkus Reviews Issue: April 15, 2012
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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