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OBJECTS OF MY AFFECTION

A charmingly breezy tone marks this warm appraisal of our addiction to stuff.

If things are not people, then why do they seem to matter so much? A hoarder and organizational expert clash in this light, amusing novel from Smolinski (The Next Thing on my List, 2007, etc.).

Lucy Bloom, author of Things are Not People, a book no one seems to have read, is ironically bereft of possessions. Aside from her beloved red Mustang, Lucy has sold her home and its contents, using the proceeds to put her teenage son, Ash, in rehab. Admirable, but now Ash won’t speak to her and somehow she lost her boyfriend, Daniel, along the way, too. Broke and lonely, Lucy lands a dream job: help Marva Meier Rios clear her house of clutter in 52 days, and she’ll have enough cash to get back on her feet. Of course the reclusive artist makes the job impossible, forcing Lucy to debate the merits of every fork, candlestick and flamingo-shaped umbrella holder. Under pressure from Marva’s son to get the job done, not to mention pressure from the gorgeous Niko to take a break, Lucy surprises herself by asking Daniel for help. Just as Lucy tries to help Marva de-clutter her house, so Daniel helps Lucy de-clutter her memory. Lucy and Marva must accept that things may not be people, but people do bind themselves to their things with memories and emotions. Only after Marva confesses the big secret of her life—the secret that has bound her past emotions into all of the objects in her home—is she able to let go of the clutter and begin anew. And Lucy may have let go of a lot of things, but she hasn’t released the memories—some true, some misremembered—that bind her to Ash and Daniel. 

A charmingly breezy tone marks this warm appraisal of our addiction to stuff. 

Pub Date: May 1, 2012

ISBN: 978-1-4516-6075-3

Page Count: 320

Publisher: N/A

Review Posted Online: April 1, 2012

Kirkus Reviews Issue: April 15, 2012

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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