For committed conservative Christian audiences.
An imaginative science-fiction premise and a well-drawn, affecting character struggle to overcome heavy-handed religious proselytizing in this uneven suspense tale.
A mad, unethical scientist, assisted by sane, unethical scientists, runs a secret underground facility that experiments on boys who are clones of the mad scientist. The boys face death at age 18, believing that they will be fulfilling their “purpose” of saving mankind. The aptly named Martyr would like to see the sky before he dies. When the scientists refuse his last wish, Martyr escapes, eventually teaming up with Abby, the daughter of one of the scientists, to fight the evil Dr. Kane (read “Cain”). Abby, as a committed Christian, tries to save, both religiously and literally, her new friend. In Martyr, Williamson creates a standout character. His complete innocence, perfect sincerity and humorous misunderstandings of the modern world easily endear him to readers. Far less successful, the one-dimensional Abby blends in with standard-issue young heroine types. The author pushes her political views into the story, describing one highly stereotypical character as a “liberal extremist” when he supports embryonic stem-cell research. This complements her portrayal of the scientists, who apparently don’t view the matured clones as truly human. Suspense scenes become difficult to follow as she frequently jumps from one scene to another. However, Martyr’s final action gives readers an uplifting and important lesson.
For committed conservative Christian audiences. (Christian science fiction. 12 & up)Pub Date: Jan. 1, 2012
ISBN: 978-0-310-72758-3
Page Count: 304
Publisher: Zonderkidz
Review Posted Online: Dec. 2, 2011
Kirkus Reviews Issue: Dec. 15, 2011
A dizzying, intimate romance.
Rowan teams up with her academic nemesis to win a citywide scavenger hunt.
Rowan Roth and Neil McNair have been rivals in a never-ending game of one-upmanship since freshman year. Now, on the last day of senior year, Rowan hopes to best Neil once and for all as valedictorian, then win Howl, a scavenger hunt with a $5,000 cash prize. She also hopes to sneak away to her favorite romance author’s book signing; no one’s ever respected her passion for the genre, not even her children’s book author/illustrator parents. But Rowan’s named salutatorian, and vengeful classmates plot to end her and Neil’s reign. At first their partnership is purely strategic, but as the pair traverse the city, they begin to open up. Rowan learns that Neil is Jewish too and can relate to both significant cultural touchstones and experiences of casual anti-Semitism. As much as Rowan tries to deny it, real feelings begin to bloom. Set against a lovingly evoked Seattle backdrop, Rowan and Neil’s relationship develops in an absorbing slow burn, with clever banter and the delicious tension of first love. Issues of class, anti-Semitism, and sex are discussed frankly. Readers will emerge just as obsessed with this love story as Rowan is with her beloved romance novels. Rowan’s mother is Russian Jewish and Mexican, and her father is American Jewish and presumably White; most other characters are White.
A dizzying, intimate romance. (author’s note) (Romance. 13-18)Pub Date: July 28, 2020
ISBN: 978-1-5344-4024-1
Page Count: 384
Publisher: Simon Pulse/Simon & Schuster
Review Posted Online: April 7, 2020
Kirkus Reviews Issue: May 1, 2020
Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development.
A portal fantasy survivor story from an established devotional writer.
Fourteen-year-old Eva’s maternal grandmother lives on a grand estate in England; Eva and her academic parents live in New Haven, Connecticut. When she and Mum finally visit Carrick Hall, Eva is alternately resentful at what she’s missed and overjoyed to connect with sometimes aloof Grandmother. Alongside questions of Eva’s family history, the summer is permeated by a greater mystery surrounding the work of fictional children’s fantasy writer A.H.W. Clifton, who wrote a Narnialike series that Eva adores. As it happens, Grandmother was one of several children who entered and ruled Ternival, the world of Clifton’s books; the others perished in 1952, and Grandmother hasn’t recovered. The Narnia influences are strong—Eva’s grandmother is the Susan figure who’s repudiated both magic and God—and the ensuing trauma has created rifts that echo through her relationships with her daughter and granddaughter. An early narrative implication that Eva will visit Ternival to set things right barely materializes in this series opener; meanwhile, the religious parable overwhelms the magic elements as the story winds on. The serviceable plot is weakened by shallow characterization. Little backstory appears other than that which immediately concerns the plot, and Eva tends to respond emotionally as the story requires—resentful when her seething silence is required, immediately trusting toward characters readers need to trust. Major characters are cued white.
Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development. (author’s note, map, author Q&A) (Religious fantasy. 12-14)Pub Date: Jan. 30, 2024
ISBN: 9780593194454
Page Count: 384
Publisher: WaterBrook
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
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