The author does a solid job analyzing the birth and development of Dracula and illustrating the character traits Stoker...
Steinmeyer (The Last Greatest Magician in the World, 2011, etc.) reveals the variety of influences on Stoker’s most (some would say only) memorable work of fiction.
The author posits that the four greatest influences on Stoker were Walt Whitman, Oscar Wilde, Jack the Ripper and the actor Henry Irving. Stoker was Irving’s general factotum and “acting manager” over a period of 30 years, and his influence would be obvious. Whitman was a childhood hero, and Jack the Ripper’s murders in London at that time piqued everyone’s interest. The city in the 1890s was rife with characters like Wilde, who affected the tastes of that golden age, and most crossed paths with Stoker. Just as 1920s Paris housed a vast menagerie of writers, actors and other artists, so Stoker’s life working for Irving at the Lyceum Theatre brought him into contact with all of the era’s adventurers and storytellers. They met after productions in the Lyceum’s Beefsteak room with their own tales of travel, discovery and absurdities; many of these tales found their way into Stoker’s story of the Transylvanian vampire. Oddly, Stoker was obsessive about making sure his facts were correct, right down to the landscape of Yorkshire, tides and London train schedules, but he never visited the Carpathians, where the novel takes place. Further, his notes never mentioned Vlad the Impaler, the historical figure most identify as the inspiration for Dracula. Steinmeyer takes us inside the genesis of the novel, “a swirl of nightmarish images that had been borrowed from real heroes, villains, heightened dramas, and theatrical tragedies."
The author does a solid job analyzing the birth and development of Dracula and illustrating the character traits Stoker cherry-picked from his wide circle of friends.Pub Date: April 4, 2013
ISBN: 978-0142421888
Page Count: 288
Publisher: TarcherPerigee
Review Posted Online: Jan. 20, 2013
Kirkus Reviews Issue: Feb. 1, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
