Cover art for THE LEOPARD
Kirkus Star

THE LEOPARD

Buy now from
AMAZON.COM
BARNES & NOBLE
LOCAL BOOKSELLER
Add to my list

KIRKUS REVIEW

Another spooky gothic by Norwegian gloomster Nesbø (The Snowman, 2011, etc.), the poet laureate of boreal psychopathy. 

If there were a dictionary-definition image for numbed world-weariness, Oslo detective Harry Hole would be it, in just the way that Edvard Munch’s The Scream is the canonical image of terror. (When the film is made, only the Stellan Skarsgård of Insomnia will do.) As Nesbø’s newest procedural opens, Hole has taken himself into a Hong Kong exile, where he ponders the smog that builds up thicker and thicker from mainland China and fills his own modest room with the smoke from his opium water pipe. Enter Kaja Solness, Oslo gumshoe extraordinaire, who needs to find him immediately. Naturally, something very ugly has happened back home; a murder bloody enough to make a Viking of yore lose his lunch has occurred, involving a cruel instrument of torture that shoots out metal spikes: “Two needles pierced the windpipe and one the right eye, one the left. Several needles penetrated the rear part of the palate and reached the brain.” Yuck. Only Hole, it seems, can divine the mind of someone sick enough to pull off such a thing, and once Hole, plagued by the memories of earlier murders and a constant craving for drink and smoke, is pulled into the case early on in the novel, it’s all a go-go-go rush across the continents: Europe, of course, and Asia, but also Africa, where an ugly war is raging off in some backwater of the Congo and where, it develops, a person of interest is conducting a nasty trade. It is vintage Nesbø to throw in red herrings and MacGuffins, but also to have Hole engage in a little John Woo–style dance, cop and suspect, in which the bad guy has a definite chance of taking out the good one. Nesbø’s formula includes plenty of participation by Kaja, a very capable woman, and plenty of current geopolitical backdrop, making Nesbø a worthy mysterian-cum-social-critic in the Stieg Larsson tradition. But will good prevail? It’s anything but a foregone conclusion.

Good for a nightmare or three—a taut, fast-paced thriller with wrenching twists and turns.

Pub Date: Dec. 1st, 2011
ISBN: 978-0-307-59587-4
Page count: 544pp
Publisher: Knopf
Review Posted Online:
Kirkus Reviews Issue: Nov. 15th, 2011



MORE BY JO NESBØ

Fiction Cover art for THE REDEEMER
by Jo Nesbø
Fiction Cover art for PHANTOM
by Jo Nesbø
Fiction Cover art for THE SNOWMAN
by Jo Nesbø
Mystery Cover art for THE DEVIL’S STAR
by Jo Nesbo
Fiction Cover art for NEMESIS
by Jo Nesbo
Fiction Cover art for THE REDBREAST
by Jo Nesbo

MORE BY DON BARTLETT

Mystery Cover art for LETHAL INVESTMENTS
by K.O. Dahl
Fiction Cover art for IT'S FINE BY ME
by Per Petterson
Fiction Cover art for CHILD WONDER
by Roy Jacobsen
Fiction Cover art for THE SNOWMAN
by Jo Nesbø
Fiction Cover art for NEMESIS
by Jo Nesbo
Fiction Cover art for THE REDBREAST
by Jo Nesbo


SIMILAR BOOKS SUGGESTED BY OUR CRITICS:

Fiction Cover art for THE HYPNOTIST
by Lars Kepler
Fiction Cover art for TRACKERS
by Deon Meyer
Fiction Cover art for HANNIBAL
by Thomas Harris
Fiction Cover art for THE NIGHTMARE
by Lars Kepler
Indie Cover art for Murder in the Molten Sea
by Hank Belloc


NEW AND NOTABLE FICTION: DECEMBER 2011:

Fiction Cover art for DOWN THE DARKEST ROAD
by Tami Hoag
Fiction Cover art for THE FORGOTTEN AFFAIRS OF YOUTH
by Alexander McCall Smith
Mystery Cover art for VIGILANTE
by Stephen J. Cannell
Fiction Cover art for THE LEOPARD
by Jo Nesbø
View full list >