by Joan Bauer ‧ RELEASE DATE: Sept. 1, 2000
Another entry in Bauer’s growing collection of books about likable and appealing female teenagers with a strong vocational calling. Ivy Breedlove in Backwater (1999) is a historian, Jenna Boller in Rules of the Road (1998) is a talented salesperson, and Hope Yancey’s gift is for waitressing. As the novel begins, Hope, 16, and her aunt Addie are about to move from Brooklyn to Mulhoney, Wisconsin, where Addie will manage and cook for a diner called the Welcome Stairways. Hope, whose mother abandoned her as an infant and who has never known her father, is pretty well-adjusted, all things considered. She throws herself into her new life in the small town, working on the grassroots mayoral campaign of the diner’s owner, quickly acquiring a boyfriend and friends, and proving herself to be a stellar waitress (she’s been working in restaurants most of her life, after all, and one of the few things her mother has given her is a list of waitressing tips). Despite having moved so often and having had such inadequate biological parents, Hope isn’t afraid to connect to people. The relationship between Hope and G.T., the man who owns the diner and who eventually marries her aunt is especially touching and sweetly portrayed. He’s everything Hope ever wished for in a father. It could be said that the occupation of waitressing is over-idealized; it’s portrayed as the noblest of professions. But the lessons she’s learned from the job are essential to Hope’s character and a part of why the plot develops as it does. More important, and as always from Bauer, this novel is full of humor, starring a strong and idealistic protagonist, packed with funny lines, and peopled with interesting and quirky characters. (Fiction. 11-16)
Pub Date: Sept. 1, 2000
ISBN: 0-399-23142-0
Page Count: 192
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2000
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by John Boyne ‧ RELEASE DATE: Sept. 12, 2006
Certain to provoke controversy and difficult to see as a book for children, who could easily miss the painful point.
After Hitler appoints Bruno’s father commandant of Auschwitz, Bruno (nine) is unhappy with his new surroundings compared to the luxury of his home in Berlin.
The literal-minded Bruno, with amazingly little political and social awareness, never gains comprehension of the prisoners (all in “striped pajamas”) or the malignant nature of the death camp. He overcomes loneliness and isolation only when he discovers another boy, Shmuel, on the other side of the camp’s fence. For months, the two meet, becoming secret best friends even though they can never play together. Although Bruno’s family corrects him, he childishly calls the camp “Out-With” and the Fuhrer “Fury.” As a literary device, it could be said to be credibly rooted in Bruno’s consistent, guileless characterization, though it’s difficult to believe in reality. The tragic story’s point of view is unique: the corrosive effect of brutality on Nazi family life as seen through the eyes of a naïf. Some will believe that the fable form, in which the illogical may serve the objective of moral instruction, succeeds in Boyne’s narrative; others will believe it was the wrong choice.
Certain to provoke controversy and difficult to see as a book for children, who could easily miss the painful point. (Fiction. 12-14)Pub Date: Sept. 12, 2006
ISBN: 0-385-75106-0
Page Count: 224
Publisher: David Fickling/Random
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2006
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SEEN & HEARD
SEEN & HEARD
by Ben Philippe ‧ RELEASE DATE: Jan. 8, 2019
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice.
A teenage, not-so-lonely loner endures the wilds of high school in Austin, Texas.
Norris Kaplan, the protagonist of Philippe’s debut novel, is a hypersweaty, uber-snarky black, Haitian, French-Canadian pushing to survive life in his new school. His professor mom’s new tenure-track job transplants Norris mid–school year, and his biting wit and sarcasm are exposed through his cataloging of his new world in a field guide–style burn book. He’s greeted in his new life by an assortment of acquaintances, Liam, who is white and struggling with depression; Maddie, a self-sacrificing white cheerleader with a heart of gold; and Aarti, his Indian-American love interest who offers connection. Norris’ ego, fueled by his insecurities, often gets in the way of meaningful character development. The scenes showcasing his emotional growth are too brief and, despite foreshadowing, the climax falls flat because he still gets incredible personal access to people he’s hurt. A scene where Norris is confronted by his mother for getting drunk and belligerent with a white cop is diluted by his refusal or inability to grasp the severity of the situation and the resultant minor consequences. The humor is spot-on, as is the representation of the black diaspora; the opportunity for broader conversations about other topics is there, however, the uneven buildup of detailed, meaningful exchanges and the glibness of Norris’ voice detract.
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice. (Fiction. 13-16)Pub Date: Jan. 8, 2019
ISBN: 978-0-06-282411-0
Page Count: 384
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
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