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IF JESUS CAME TO MY HOUSE

With a first-person narration in old-fashioned, rhyming verse, a little boy imagines what it would be like if a young Jesus visited his house as a friend. The unnamed boy invites Jesus into his home and they spend an afternoon playing together. In the second half of the story the narrator describes how he can use the principles that the adult Jesus taught, by attending church and serving others in need. Though the concept of Jesus as a little boy may be a little confusing to younger children at first, there is a distinct delineation between the boy’s imaginary visitor and his real life. McElrath-Eslick’s attractive illustrations use vibrant colors and a double-page-spread format to add a contemporary balance to the text, which is still in print in an earlier edition from 1951. Although it’s regrettable that they portray an all-white cast of characters, the new illustrations make this beloved poem more accessible to today’s children while still providing a traditional introduction to applying the Golden Rule in a child’s life. (Picture book/religion. 3-5)

Pub Date: June 1, 2008

ISBN: 978-0-06-083942-0

Page Count: 40

Publisher: HarperBlessings/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2008

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PERFECTLY NORMAN

From the Big Bright Feelings series

A heartwarming story about facing fears and acceptance.

A boy with wings learns to be himself and inspires others like him to soar, too.

Norman, a “perfectly normal” boy, never dreamed he might grow wings. Afraid of what his parents might say, he hides his new wings under a big, stuffy coat. Although the coat hides his wings from the world, Norman no longer finds joy in bathtime, playing at the park, swimming, or birthday parties. With the gentle encouragement of his parents, who see his sadness, Norman finds the courage to come out of hiding and soar. Percival (The Magic Looking Glass, 2017, etc.) depicts Norman with light skin and dark hair. Black-and-white illustrations show his father with dark skin and hair and his mother as white. The contrast of black-and-white illustrations with splashes of bright color complements the story’s theme. While Norman tries to be “normal,” the world and people around him look black and gray, but his coat stands out in yellow. Birds pop from the page in pink, green, and blue, emphasizing the joy and beauty of flying free. The final spread, full of bright color and multiracial children in flight, sets the mood for Norman’s realization on the last page that there is “no such thing as perfectly normal,” but he can be “perfectly Norman.”

A heartwarming story about facing fears and acceptance. (Picture book. 3-5)

Pub Date: May 1, 2018

ISBN: 978-1-68119-785-2

Page Count: 32

Publisher: Bloomsbury

Review Posted Online: March 3, 2018

Kirkus Reviews Issue: March 15, 2018

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OLIVER AND HIS EGG

Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for...

Oliver, of first-day-of-school alligator fame, is back, imagining adventures and still struggling to find balance between introversion and extroversion.

“When Oliver found his egg…” on the playground, mint-green backgrounds signifying Oliver’s flight into fancy slowly grow larger until they take up entire spreads; Oliver’s creature, white and dinosaurlike with orange polka dots, grows larger with them. Their adventures include sharing treats, sailing the seas and going into outer space. A classmate’s yell brings him back to reality, where readers see him sitting on top of a rock. Even considering Schmid’s scribbly style, readers can almost see the wheels turning in his head as he ponders the girl and whether or not to give up his solitary play. “But when Oliver found his rock… // Oliver imagined many adventures // with all his friends!” This last is on a double gatefold that opens to show the children enjoying the creature’s slippery curves. A final wordless spread depicts all the children sitting on rocks, expressions gleeful, wondering, waiting, hopeful. The illustrations, done in pastel pencil and digital color, again make masterful use of white space and page turns, although this tale is not nearly as funny or tongue-in-cheek as Oliver and His Alligator (2013), nor is its message as clear and immediately accessible to children.

Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for all children but sadly isn’t. (Picture book. 3-5)

Pub Date: July 1, 2014

ISBN: 978-1-4231-7573-5

Page Count: 40

Publisher: Disney-Hyperion

Review Posted Online: May 18, 2014

Kirkus Reviews Issue: June 1, 2014

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