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MURDER ON THE SKY RIDE

An uneven Tex-Mex mystery, though the hero has plenty to offer.

Former nonfiction writer Hewitt’s (Rescuing Slaves of the Watchtower, 2011, etc.) grasp of Lone Star State peculiarities—Tex-Mex culture and politics; things only oilmen know—highlight this messy, 1970s murder mystery.

At first glance, it appears to be a case of drug-lord retribution: 32-year-old Texas Ranger Enrique “Gar” Garcia locked up Hispanic politician Reynaldo Diaz for marijuana smuggling and now, unbeknownst to him, he’s being tailed by Diaz’s revenge-bent brothers. But the plot shifts when, after posting bail, Diaz is offed by assassins posing as FBI agents. The murder is an over-the-top horror, with Diaz noosed to the cable system of an amusement park’s Sky Ride, the aerial cable cars that span the San Marcos River; the cable severs, jerking Diaz’s head from his body and sending it flying through the treetops. The Sky Ride cars plummet, killing or injuring many of the unlucky folks on board—which raises the possibility that one of them, not Diaz, might’ve been the intended target. Garcia’s ensuing investigation benefits from Hewitt’s knowledge of police work and Texas: He notes that the assassin was sweating profusely inside an over-air-conditioned local restaurant before the murder, then used a wood block made of ironwood, found only in South Texas and Mexico, and finally tied Diaz to the cable using an oil-field roughneck’s knot. He also gives Garcia authentic Texan heritage, from his great-great-grandfather’s role in the Battle of the Alamo to his brother Joe’s Chicano dialect. But politics can muddy the plot, too: It’s difficult to gauge whether the mystery is really about Diaz or about some other misdeed, and it’s baffling when the clues take shape as something much more pedestrian than what Hewitt had originally orchestrated. Secondary characters can feel stereotypical (for example, the members of one no-good trio are named Anglo, Hispanic and Black), and sudden shifts from one scene to another can be jarring, as can rampant grammatical mistakes.

An uneven Tex-Mex mystery, though the hero has plenty to offer.

Pub Date: Jan. 8, 2013

ISBN: 978-1481183178

Page Count: 326

Publisher: CreateSpace

Review Posted Online: March 21, 2013

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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