It’s not as rollicking or ingenious as Marty Kelley’s Almost Everybody Farts (2017), but it is a fine companion to complete...
It’s not just you; everyone’s bottom makes more than poo.
“Daddy toots while working / up on the ladder, / Mommy toots while exercising / and says, ‘It doesn’t matter.’ ” Grandpa toots too; though Grandma doesn’t hear it, she covers her nose with her jacket. Musicians, royalty, baseball players, astronauts, and even ballerinas (though they deny it) all break wind. Elephants and hippos make bubbles under water, and unicorns fart sweet-smelling rainbows. “So if you’re on the school bus / or outside having fun, / don’t worry about a toot or two / —because it happens to everyone!” Rhatigan’s rhyming assurance that everyone blows the bottom bugle joins the veritable explosion (pun very much intended) of funny fart tales. The bright, digitally created illustrations will elicit more giggles than the fluffed verse in this fable. O’Kif’s goggle-eyed animals, some embarrassed, some surprised, some cheeky (that one intended too), all issue little green clouds to prove the title’s point. The picture of three anthropomorphic students on the bus—a crocodile, a Boston terrier, and a hedgehog—all elevated by the power of their toots—helps to make up for the stumbling scansion.
It’s not as rollicking or ingenious as Marty Kelley’s Almost Everybody Farts (2017), but it is a fine companion to complete a very rude storytime. (Picture book. 3-7)Pub Date: Dec. 17, 2017
ISBN: 978-1-63322-224-3
Page Count: 32
Publisher: Moondance/Quarto
Review Posted Online: Oct. 27, 2017
Kirkus Reviews Issue: Nov. 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
SEEN & HEARD
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