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IN DEFENSE OF ELITISM

WHY I'M BETTER THAN YOU AND YOU'RE BETTER THAN SOMEONE WHO DIDN'T BUY THIS BOOK

A wise perspective on America’s cultural divide.

The rise of populism inspired a journalist’s search for answers.

Former Time staff writer and columnist Stein (Man Made: A Stupid Quest for Masculinity, 2012) brings wit, irreverence, and considerable thoughtfulness to a timely issue: the rise of anti-elitism in politics, science, education, and many other areas that privilege knowledge and expertise. “Elites are people who think; populists are people who believe,” he writes. “Elites defer to experts; populists listen to their own guts. Elites value cooperation; populists are tribal.” To help elites turn back the populist trend, the author decided to investigate what populists want, why they think as they do, and how elites can maintain and defend their authority in a changing world. His search took him to Miami, Texas, a town of about 600 residents, more than 95 percent of them Trump voters. As he expected, they own guns, are faithful congregants of the First Baptist Church, and take every opportunity “to delegitimize expertise.” The Miamians think that hyphenated Americans only inflame racial and ethnic conflict. “Elites may have not caused racism,” they contend, “but they’ve magnified racial tensions, in the same way that abolitionists exacerbated our nation’s problem with slavery.” They trust one another but not their country. “They’re living in a remote tribal island,” Stein concludes, “untouched by the last thirty years.” Yet, they welcomed the author—a journalist and a Jew—warmly. Stein’s research also took him to elite conferences, where, he discovered, “the elite dream, is not to own a yacht but to give a TED talk.” Among Stein’s interviewees are FOX political commentator Tucker Carlson, who rants against diversity, and “Dilbert” creator Scott Adams, who has bought into the “primordial masculinity” of populism, along with its conspiracy theories. Stein repeatedly—and persuasively—makes a case for expertise. “The world seems fragile and I want trustworthy, trained people running it,” he writes. As for the “Intellectual Elites” who do, precariously, run the world, he offers a word of advice: respect. Listen without judging or mocking; negotiate with empathy.

A wise perspective on America’s cultural divide.

Pub Date: Oct. 22, 2019

ISBN: 978-1-4555-9147-3

Page Count: 336

Publisher: Grand Central Publishing

Review Posted Online: July 20, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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