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WE’LL ALWAYS HAVE PARIS

SEX AND LOVE IN THE CITY OF LIGHT

Captivated readers will hope that Baxter’s “long conversation” with Paris, still going strong after 14 years, never ends.

Sparkling dispatches about Parisian culture and history from an Australian biographer and film critic who is a longtime City of Light resident.

“All Paris stories are to some extent stories of love,” writes Baxter (A Pound of Paper, 2003, etc.), who combines chapters featuring the city’s golden modern age (the 1920s and ’30s) with material about his permanent move to Paris in 1990 with wife-to-be Marie-Dominique. Twenty-seven brief chapters chart his diverse, erratic interests and the progression of his deepening love affair with the city. In the ’60s, “French” meant “sexy” to the youthful author, as he recalls in “Why Paris?” By 1969, he had sailed for Europe, turning his back on the modest Australian success of his film After Proust because, he jokes, “I just couldn’t bear listening one more time to someone pronounce ‘Proust’ as ‘Prowst.’ ” Living in France, he learned how to drink and eat, or at least how to order in style (“The Food of Love”). But sex occupies more of the text than cuisine, beginning with “The Market in Meat,” which notes that brothels and the gratification of curious fetishes became an important attraction of Paris during the modern era, then lists some of the more infamous clubs that catered to “special tastes.” French voyeurism is the subject of “The Sexual Restaurant,” and “Sacred Monsters” provides a loose-rolling overview of the sexual revolution sparked by the 1959 publication of the erotic paperback Emmanuelle. Baxter’s acquaintance with an American expatriate writer he calls Hugo (“The Man Who Knew”) allowed him access to thrilling archives and personalities that unlocked the city of vice. Meanwhile, Marie-Do got pregnant and gave birth; the couple acquired a family dwelling in the provinces; and the author could finally call his adoptive country home.

Captivated readers will hope that Baxter’s “long conversation” with Paris, still going strong after 14 years, never ends.

Pub Date: March 1, 2006

ISBN: 0-06-083288-6

Page Count: 352

Publisher: Perennial/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2006

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller


  • IndieBound Bestseller


  • National Book Award Finalist

Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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