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ELEGY FOR IRIS

A sweet if somewhat old-fashioned memoir about a literary marriage. Bayley, author of the novel The Red Hat and a noted critic, met novelist and philosopher Dame Iris Murdoch (Jackson’s Dilemma, 1996, etc.) while he was teaching at Oxford’s St. Anthony’s College and instantly came under her sway. Though Murdoch was less quick to return his affection, she too fell in love after a delightfully disastrous date in which a well-advertised restaurant served them “nasty” food and Murdoch herself fell down some stairs on her way to the dance floor; these mishaps unearthed the couple’s deepest connection: a fine sense of humor, indeed, their joy in private jokes and laughs. In her time, Murdoch was a woman of unconventional intelligence and independence’she had a long string of lovers, did not want children, had an almost slovenly disregard for her appearance, and was in no hurry to get married, though she never seems to have doubted that Bayley should be the groom. Using flashbacks, Bayley lightens his accounts of Murdoch’s present disappearance into Alzheimer’s disease with happier memories of their long, comfortable life together, a life filled with trips, summer swims, and pleasure in books. Bayley clearly adores and admires his celebrated wife, and his care of her illness is a model of devotion. This unalloyed affection is refreshingly sweet, but too often his descriptions of Murdoch edge over into the saccharine—for him she is “Christ-like”—and the result is an unusual lack of insight into her abilities. Would the woman who never took any interest in children really have “looked after [her own child] better and more conscientiously than most mothers, and no doubt would have brought it up better, too”? Nonetheless, this seems an appropriate error for a loving husband to make, and the book’s intimate tone will surely please both his fans and hers. (6 b&w photos, not seen) (First serial to the New Yorker)

Pub Date: Jan. 25, 1999

ISBN: 0-312-19864-7

Page Count: 288

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1998

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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