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THE DARK SECRET OF WEATHEREND

Some of Bellairs' recent sorcery/mystery-adventures (e.g., The Curse of the Blue Figurine) have made the characters as important as the spookery. Here, however, the accent is on a wild, ghoulish plot, even if the laconic narration and wry dialogue keep things from getting heavy or morbid. As in The Treasure of Alpheus Winterborn (1978), Bellairs' hero is 14-year-old Anthony Monday, growing up in mid-1950s rural Minnesota—with lots of moral support from elderly librarian Miss Eells, his best friend. And the trouble begins when Miss Eells, fending off the boredom of a temporary assignment to a dead "hick town" branch, leads Anthony on a hike to the abandoned Weatherend estate of "major fruitcake" J. K. Borkman: Anthony finds the late Mr. Borkman's handwritten memoirs—all about his apocalyptic ideas on weather-control magic—under some rotting boards. Could there be a link, then, between crazy Borkman and the bizarre weather that soon starts afflicting Minnesota? Anthony thinks so; Miss Eells disagrees. ("You're making a big fat hairy mistake.") But what about the sudden arrival of Borkman's creepy, bearded son Anders—who secretly hypnotizes Anthony and Miss Eells into some highly strange behavior? (Miss E. goes berserk at a prim library tea.) Isn't it obvious that Borkman Jr. "is a cold-blooded fanatic who will stop at nothing to carry out the ghastly plans of his maniac father?" It is indeed. So, with help from Miss E.'s lawyer-brother Emerson, Anthony and Miss E. launch an attack on Weatherend—only to find themselves repelled by homocidal leaves and other occult forces. Then, determined to learn the Borkman family secrets, they set off for a cemetery in Duluth (the resting place of Borkman Sr.). And finally, after contending with Borkmanesque obstacles along the way (blizzards, shape-shifting goblins), they invade the Borkman tomb and have a creepy showdown with Borkman Jr.—a non-human entity who is handily destroyed (by not-very-persuasive forces). Anthony is less three-dimensional here than he was in his debut; the plot gets murky and frenetic at the close. But Miss Eells remains a no-nonsense, imperfect guardian angel—and there's a nice balance most of the way through between folksy charm and gently intense suspense.

Pub Date: May 1, 1984

ISBN: 014038006X

Page Count: 192

Publisher: Dial Books

Review Posted Online: April 17, 2012

Kirkus Reviews Issue: April 15, 1984

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BECAUSE I HAD A TEACHER

A sweet, soft conversation starter and a charming gift.

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A paean to teachers and their surrogates everywhere.

This gentle ode to a teacher’s skill at inspiring, encouraging, and being a role model is spoken, presumably, from a child’s viewpoint. However, the voice could equally be that of an adult, because who can’t look back upon teachers or other early mentors who gave of themselves and offered their pupils so much? Indeed, some of the self-aware, self-assured expressions herein seem perhaps more realistic as uttered from one who’s already grown. Alternatively, readers won’t fail to note that this small book, illustrated with gentle soy-ink drawings and featuring an adult-child bear duo engaged in various sedentary and lively pursuits, could just as easily be about human parent- (or grandparent-) child pairs: some of the softly colored illustrations depict scenarios that are more likely to occur within a home and/or other family-oriented setting. Makes sense: aren’t parents and other close family members children’s first teachers? This duality suggests that the book might be best shared one-on-one between a nostalgic adult and a child who’s developed some self-confidence, having learned a thing or two from a parent, grandparent, older relative, or classroom instructor.

A sweet, soft conversation starter and a charming gift. (Picture book. 4-7)

Pub Date: March 1, 2017

ISBN: 978-1-943200-08-5

Page Count: 32

Publisher: Compendium

Review Posted Online: Dec. 13, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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