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AESOP’S FABLES

Taking pride of place, Jarrie’s postmodern scenes of elegantly elongated animals and skinny-limbed humans comically grinning or grimacing over their various twists of fortune shoulder Cech’s 36 amiable retellings to the outer margins of the pages. Writing with severe brevity, the reteller mixes simply related versions of the usual chestnuts with less common—and not always canonically Aesopian—fables such as one about a wig-wearing “Bald Knight” (losing, oddly enough, not only a toupee but a cowboy hat in the picture). His morals don’t always make sense on their own—“Take just enough and you won’t get stuck,” concludes the tale of “The Mouse and the Weasel,” in which the mouse finds himself jammed, Winnie-the-Pooh–like, into a hole after gorging himself on corn—but they are generally incorporated smoothly into their mini-episodes. Jerry Pinkney’s collection (2000) is still the grandest of all, but readers who appreciate salutary lessons that are disbursed with a light touch may gravitate to this one. (afterword) (Folktales. 6-10)

Pub Date: April 1, 2009

ISBN: 978-1-4027-5298-8

Page Count: 40

Publisher: Sterling

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: March 1, 2009

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WILD, WILD WOLVES

At ``Step 2'' in the useful ``Step into Reading'' series: an admirably clear, well-balanced presentation that centers on wolves' habits and pack structure. Milton also addresses their endangered status, as well as their place in fantasy, folklore, and the popular imagination. Attractive realistic watercolors on almost every page. Top-notch: concise, but remarkably extensive in its coverage. A real bargain. (Nonfiction/Easy reader. 6-10)

Pub Date: April 1, 1992

ISBN: 0-679-91052-2

Page Count: 48

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1992

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RIVER STORY

Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)

Pub Date: June 1, 2000

ISBN: 0-7636-0792-4

Page Count: 32

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2000

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