by John Grisham ‧ RELEASE DATE: Oct. 25, 2011
A tight (in a couple of senses), unexpectedly comic courtroom saga from veteran legal eagle Grisham (The Confession, 2011, etc.).
After an unhappy showing with last year’s Theodore Boone, Kid Lawyer, Grisham is back in grown-up land. But grown-up is as grown-up does, and the characters who populate this latest are very, well, morally compromised—and on all sides of the law. One, David Zinc, cuts a formidable figure at the bar—and, once he’s decided that, even though he’s in his early 30s, he’s done with practicing law at a huge corporate firm in downtown Chicago, he cuts a still more formidable figure drinking himself stupid at the nearest watering hole (“Do you serve breakfast?” “Yep, it’s called a Bloody Mary”). A long bout of sucking down the sauce later, David has fallen far in the world, so far that he’s now in cahoots with a practice that likes to call itself a “boutique firm,” but that is in truth made up of a couple of dictionary-definition ambulance-chasers. Make that hearse-chasers: The brilliant legal minds at Finley & Figg like nothing better than to feed at the bottom, scouring the news and the obituaries for profit-inducing mayhem, for something, anything, to sue for. It’s a hit-or-miss business, but with David on board, the partners’ fortunes would seem to hold greater promise. Ah, but this is a Grisham novel, and the justice that’s served up, as always, cuts both ways. There are a couple of holes in the plot (if David wants out of the law so badly, why does he so quickly fall right back into it?), but Grisham has a blast with all the righteous mischief in a tale with no real heroes and plenty of villains, with Big Pharma at the heart of the story. He writes with good humor, mostly, but with some calculating nastiness as well (“Oscar’s perfect outcome would be breaking news of a pending settlement at about the same time his wife croaked on the drug”). Grisham’s latest is a hoot—and, with its insider’s view of jury selection and other dirty tricks, a very good reason to hope to steer clear of a courtroom.
Pub Date: Oct. 25, 2011
ISBN: 978-0-385-53513-7
Page Count: 384
Publisher: Doubleday
Review Posted Online: Dec. 14, 2011
Kirkus Reviews Issue: Jan. 1, 2012
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Robert Harris ‧ RELEASE DATE: Nov. 22, 2016
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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