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MY DOG IS A CARROT

“EEEEEEEK! Poetry!” squeaks the dismayed dog on the cover. Readers who aren’t scared off by the warning will find within an entertaining, if uneven, array of free verse and shaped poetry selected from Glad to Wear Glasses (1990). Hegley writes of eyeglasses, dogs (including one with an alimentary problem), carrots, colors, and various other quirky topics, usually in a jocular tone but occasionally waxing earnest, as in “Bully For You”: “If you’re being bullied, / tell. / Tell your parents / tell your guardians / tell your caregivers.” The page design adds to the free-form spirit, with vivid color changes playing off each other on facing texts or backgrounds, abstract geometric shapes alongside or behind the lines, and occasional childlike cartoons. Despite some duds, like “Loaf Poem” (“I bought a loaf the other day / it came to life and ran away. / And I said, / ‘Naughty bad bread. / Naughty’ ”), this is worth considering for deeper collections where such sparklers as Paul Janeczko’s A Poke in the I (2001) have created new interest in concrete poetry. (Poetry. 8-10)

Pub Date: March 1, 2003

ISBN: 0-7636-1932-9

Page Count: 64

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2003

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HERE COMES MOTHER GOOSE

This oversized companion to the much ballyhooed My Very First Mother Goose (1996) will take toddlers and ex-toddlers deeper into the playscapes of the language, to meet Old King Cole, Old Mother Hubbard, and Dusty Bill From Vinegar Hill; to caper about the mulberry bush, polka with My Aunt Jane, and dance by the light of the moon. Mixing occasional humans into her furred and feathered cast, Wells creates a series of visual scenarios featuring anywhere from one big figure, often dirty or mussed, to every single cat on the road to St. Ives (over a thousand). Opie cuts longer rhymes down to two or three verses, and essays a sly bit of social commentary by switching the answers to what little girls and boys are made of. Though Wells drops the ball with this last, legitimizing the boys’ presence in a kitchen by dressing them as chefs, in general the book is plainly the work of a match made in heaven, and merits as much popularity as its predecessor. (Folklore. 1-6)

Pub Date: Oct. 1, 1999

ISBN: 0-7636-0683-9

Page Count: 107

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1999

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ALL BY HERSELF

POEMS

Prose poems celebrate the feats of young heroines, some of them famous, and some not as well-known. Paul (Hello Toes! Hello Feet!, 1998, etc.) recounts moments in the lives of women such as Rachel Carson, Amelia Earhart, and Wilma Rudolph; these moments don’t necessarily reflect what made them famous as much as they are pivotal events in their youth that influenced the direction of their lives. For Earhart, it was sliding down the roof of the tool shed in a home-made roller coaster: “It’s like flying!” For Rudolph, it was the struggle to learn to walk without her foot brace. Other women, such as Violet Sheehy, who rescued her family from a fire in Hinckley, Minnesota, or Harriet Hanson, a union supporter in the fabric mills of Massachusetts, are celebrated for their brave decisions made under extreme duress. Steirnagle’s sweeping paintings powerfully exude the strength of character exhibited by these young women. A commemorative book, that honors both quiet and noisy acts of heroism. (Picture book/poetry. 6-9)

Pub Date: Nov. 1, 1999

ISBN: 0-15-201477-2

Page Count: 40

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1999

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