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UNDER THE MOONS OF MARS

NEW ADVENTURES ON BARSOOM

Plenty of sword work and old-style action-adventure, with the occasional clever spin.

Fourteen swashbuckling new adventures extend the exploits of John Carter and his descendants on Edgar Rice Burroughs’ version of the Red Planet.

Poised to catch any wave of interest (or at least publicity) that may come along with the release of the film John Carter, the collection features the eponymous Civil War vet and other characters from the original series facing a typical array of multi-legged monsters, multi-armed warriors, defeated adversaries rising again and weird remnants of ancient science. Highlights include: Tarzan walk-ons in stories by Peter S. Beagle and S.M. Stirling; an account of a drunken thoat-lifting contest in Garth Nix’s hilarious “Sidekick of Mars” that somehow never made it into the canon; a tale from Chris Claremont that transplants Carter, Dejah Thoris and Tars Tarkas to Jasoom (Earth); and the valedictory “Death Song of Dwar Guntha,” (Jonathan Maberry) about one last great battle before planet-wide peace breaks out. Written in prose that evokes the sweep of the originals (“And as the moons sailed through the black ocean of the sky, John Carter, Warlord of all Barsoom, sang of the last charge of the great Free Riders. And such a tale it was….”) and with a full page image of a well-armed (in more ways than one), often scantily clad figure in each, these pay fitting tribute to a gifted pulp writer.

Plenty of sword work and old-style action-adventure, with the occasional clever spin. (foreword by Tamora Pierce, story introductions, author bios, Barsoomian Gazetteer) (Science fiction short stories. 11-13)

Pub Date: Feb. 7, 2012

ISBN: 978-1-4424-2029-8

Page Count: 256

Publisher: Simon & Schuster

Review Posted Online: Jan. 3, 2012

Kirkus Reviews Issue: Jan. 15, 2012

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DEAD END IN NORVELT

Characteristically provocative gothic comedy, with sublime undertones. (Autobiographical fiction. 11-13)

An exhilarating summer marked by death, gore and fire sparks deep thoughts in a small-town lad not uncoincidentally named “Jack Gantos.”

The gore is all Jack’s, which to his continuing embarrassment “would spray out of my nose holes like dragon flames” whenever anything exciting or upsetting happens. And that would be on every other page, seemingly, as even though Jack’s feuding parents unite to ground him for the summer after several mishaps, he does get out. He mixes with the undertaker’s daughter, a band of Hell’s Angels out to exact fiery revenge for a member flattened in town by a truck and, especially, with arthritic neighbor Miss Volker, for whom he furnishes the “hired hands” that transcribe what becomes a series of impassioned obituaries for the local paper as elderly town residents suddenly begin passing on in rapid succession. Eventually the unusual body count draws the—justified, as it turns out—attention of the police. Ultimately, the obits and the many Landmark Books that Jack reads (this is 1962) in his hours of confinement all combine in his head to broaden his perspective about both history in general and the slow decline his own town is experiencing.

Characteristically provocative gothic comedy, with sublime undertones. (Autobiographical fiction. 11-13)

Pub Date: Sept. 13, 2011

ISBN: 978-0-374-37993-3

Page Count: 352

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: Aug. 15, 2011

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THE STARS BELOW

From the Vega Jane series , Vol. 4

Awful on a number of levels—but tidily over at last.

The rebellion against an evil archmage and his bowler-topped minions wends its way to a climax.

Dispatching five baddies on the first two pages alone, wand-waving villain-exterminator Vega Jane gathers a motley army of fellow magicals, ghosts, and muggles—sorry, “Wugmorts”—for a final assault on Necro and his natty Maladons. As Necro repeatedly proves to be both smarter and more powerful than Vega Jane, things generally go badly for the rebels, who end up losing their hidden refuge, many of their best fighters, and even the final battle. Baldacci is plainly up on his ancient Greek theatrical conventions, however; just as all hope is lost, a divinity literally descends from the ceiling to referee a winner-take-all duel, and thanks to an earlier ritual that (she and readers learn) gives her a do-over if she’s killed (a second deus ex machina!), Vega Jane comes away with a win…not to mention an engagement ring to go with the magic one that makes her invisible and a new dog, just like the one that died heroically. Measuring up to the plot’s low bar, the narrative too reads like low-grade fanfic, being laden with references to past events, characters who only supposedly died, and such lines as “a spurt of blood shot out from my forehead,” “they started falling at a rapid number,” and “[h]is statement struck me on a number of levels.”

Awful on a number of levels—but tidily over at last. (glossary) (Fantasy. 11-13)

Pub Date: Feb. 26, 2019

ISBN: 978-1-338-26393-0

Page Count: 448

Publisher: Scholastic

Review Posted Online: March 26, 2019

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