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THE PUN ALSO RISES

HOW THE HUMBLE PUN REVOLUTIONIZED LANGUAGE, CHANGED HISTORY, AND MADE WORDPLAY MORE THAN SOME ANTICS

A fun, cogent argument in favor of a dubious, often-damned art.

A champion punster finds hidden and significant meaning in cunning wordplay.

Pollack (Cork Boat: A True Story of the Unlikeliest Boat Ever Built, 2005, etc.), a former presidential speechwriter, was the 1995 winner of the O. Henry World Championship Pun-Off. The moderately puerile samples from that war of words, found in the introduction, should be overlooked in favor of the more sophisticated content that follows. His thesis is that puns, commonly reviled, have serious implications. After a generous definition, the author examines the etymology, neurology, anthropology and sociology of primeval gags, antique jokes and hoary wordplay. Pollack finds puns in ancient cuneiform tablets, today’s newspaper headlines, knock-knock jokes, TV comedy and movies—and, of course, in Master Shakespeare’s copious riffs. There have always been more groans than giggles from pungent critics like Sam Johnson and Oliver Wendell Holmes, but Pollack counter punches in his defense of punning, holding it to be no real mistreatment of one’s mother tongue but simply an arty vice. He provides examples of the penchant by embedding puns throughout his short text. A conjuror at this literary con game, many of his best are concealed, challenging the reader to find them all. Thus, one relevant problem is that students will long be on the alert to finding puns, present or not, in unrelated reading. Another and more perilous threat is that reviewers, those scoffing wretches, will feel challenged to pun in appraisals of this book. But, at least in this case, the pun is mightier than the “pshaw!”

A fun, cogent argument in favor of a dubious, often-damned art.

Pub Date: April 14, 2011

ISBN: 978-1-592-40623-4

Page Count: 224

Publisher: Gotham Books

Review Posted Online: April 12, 2011

Kirkus Reviews Issue: Feb. 15, 2011

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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