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THE KNIGHT & THE SERPENT

A LEGEND OF MEDIEVAL NORMANDY

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A squire pursues fortune, fame and the woman he loves—at any cost.

Gabourel’s medieval tale follows the adventures of Gaspard, who serves the up-and-coming Lord Fulk from the Castle de Hambie in Normandy. The two grow up more like close friends than as lord and squire; indeed, Gaspard’s esteem proves much higher than the average man of his rank. Despite numerous opportunities to rise in stature, Gaspard stays by Lord Fulk—that is, until the latter takes the beautiful Gisla as his wife, prompting Gaspard to jealousy. Growing increasingly antagonistic toward Lord Fulk, Gaspard eventually betrays him in a moment of critical political importance. His deeds haunt him, and those he loves, throughout the remainder of the novel. Beyond its inclusion of the mainstay themes of medieval literature, Gabourel’s tale maintains an overall healthy balance of action and reflection. Gaspard does not come across as a clichéd relic of times past; his complexity holds the novel together at its weakest points. In particular, for all the depth Gaspard’s character has, the novel does not adequately depict his transition from admiration to animus toward Lord Fulk. On the contrary, one comes away wishing that the plot spent more time building up toward the fateful climax. Beside issues of plot, the dialogue often comes off as too self-aware, not as authentic medieval speak but rather as imitation. These instances tend to stultify the action, particularly because a few scenes try much harder than others to ape medieval dialect. These criticisms aside, any reader looking for a quick, easy read brimming with violence and romance will be satisfied with Gabourel’s work. While this novel does not contain many surprises, its eagerness and heart rewards its audience in the end. A legend of the Middle Ages bound to please most readers.

 

Pub Date: Nov. 13, 2011

ISBN: 978-0984134427

Page Count: 318

Publisher: John Gabourel

Review Posted Online: Dec. 12, 2011

Kirkus Reviews Issue: Feb. 1, 2012

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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