An exemplary life of an exemplary man who, despite a few missteps, deserves to be remembered long into the future.
Muhammad Ali (1942-2016), the recently departed, self-styled greatest, gets an appropriately outsized—and first-rate—biography.
Ali, who began boxing as a professional nearly 60 years ago, was not exposed to much in the way of literature early on; he complained that his own supposed autobiography “made me look like a fool” and added that, after all, he’d “never read a book in my life.” However, as Wall Street Journal contributor Eig (The Birth of the Pill: How Four Crusaders Reinvented Sex and Launched a Revolution, 2014, etc.) makes clear, Ali was possessed of a certain kind of poetic genius on top of a gift for self-appreciation to which layers of legend would be added. As an instance of that mythologizing, it is certain that when facing the draft in 1966, Ali said, “I ain’t got no quarrel with the Viet Cong”—but the more commonly quoted rejoinder, “No Viet Cong ever called me nigger,” was added on, something that African-American protestors had said of the Vietnam War before Ali’s number came up. In charting Ali’s life, which was marked by plenty of personal difficulty but by a relatively comfortable upbringing, Eig observes that he seldom shied from controversy but, though reviled by some for becoming a Black Muslim and for some of his well-aired public statements, was also widely recognized for his talent. The opponent he beat in his first professional fight as an 18-year-old Cassius Clay, a West Virginia police chief, said, “He’s a very good boxer for a kid; best I’ve met for a boy just starting out.” Other opponents would have similarly high regard, though not without talking a lot of smack. Eig does a fine job of covering all the bases, and though the book is occasionally overwritten, it’s only out of enthusiasm for his undeniably great subject, about whom the author is now working with Ken Burns to develop a documentary.
An exemplary life of an exemplary man who, despite a few missteps, deserves to be remembered long into the future.Pub Date: Oct. 3, 2017
ISBN: 978-0-544-43524-7
Page Count: 640
Publisher: Houghton Mifflin Harcourt
Review Posted Online: Aug. 6, 2017
Kirkus Reviews Issue: Aug. 15, 2017
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A standout immigrant coming-of-age story.
In her first nonfiction book, novelist Grande (Dancing with Butterflies, 2009, etc.) delves into her family’s cycle of separation and reunification.
Raised in poverty so severe that spaghetti reminded her of the tapeworms endemic to children in her Mexican hometown, the author is her family’s only college graduate and writer, whose honors include an American Book Award and International Latino Book Award. Though she was too young to remember her father when he entered the United States illegally seeking money to improve life for his family, she idolized him from afar. However, she also blamed him for taking away her mother after he sent for her when the author was not yet 5 years old. Though she emulated her sister, she ultimately answered to herself, and both siblings constantly sought affirmation of their parents’ love, whether they were present or not. When one caused disappointment, the siblings focused their hopes on the other. These contradictions prove to be the narrator’s hallmarks, as she consistently displays a fierce willingness to ask tough questions, accept startling answers, and candidly render emotional and physical violence. Even as a girl, Grande understood the redemptive power of language to define—in the U.S., her name’s literal translation, “big queen,” led to ridicule from other children—and to complicate. In spelling class, when a teacher used the sentence “my mamá loves me” (mi mamá me ama), Grande decided to “rearrange the words so that they formed a question: ¿Me ama mi mamá? Does my mama love me?”
A standout immigrant coming-of-age story.Pub Date: Aug. 28, 2012
ISBN: 978-1-4516-6177-4
Page Count: 320
Publisher: Atria
Review Posted Online: June 11, 2012
Kirkus Reviews Issue: July 1, 2012
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