An often mysterious but thoroughly horrifying and macabre tale.
An obscure village becomes the site of disconcerting, otherworldly incidents in this supernatural novel.
A lifelong Californian, Nebraska “Brask” Adams has yearned for a “real small-town experience.” Now that he has a book deal with a publisher as well as an advance, he can escape his dour life, including his devoutly religious, condescending older sister. He opts for an affordable cabin rental in the village of Wistwood, somewhere near Big Sur. At the same time, schoolteacher Schuyler Brody, apparently unhappy with her “insufferable” students, is eying an antiques shop there. But Shep Daltry has darker motivations. He’s a White cop under media scrutiny for savagely beating a woman of color and mother of five. Though his department clears him of any charges, he heads to Wistwood for a new job, which involves sinister “instructions.” It appears there are two enigmatic individuals with a plan that seems initially vague awaiting these people’s arrivals. Brask is hardly settled in Wistwood when he senses something off—at first, just a store but soon, the entire village. Yet even if he can convince fellow villagers, will anyone be able to leave? Parts of Kieran’s chilling story are deliberately hazy, with unknown characters discussing cryptic objectives. But detailed backstories ground the narrative, pitting villagers such as former British rock star Lleyton Grayle against something unearthly. Crisp prose gives largely abstract occurrences a visual component: “When she laughed, brief and mocking, the sounds sprang as arrowheads, razor-sharp and dipped in poison from her lips.” Later chapters offer a few revelations, although the author provides enough clues that most readers will have an idea as to what’s unfolding. The final act is disturbing and decidedly more visceral, with a satisfying, open-ended denouement.
An often mysterious but thoroughly horrifying and macabre tale.Pub Date: April 10, 2020
ISBN: 978-0-9885681-0-5
Page Count: 356
Publisher: Brightbourne Media
Review Posted Online: July 9, 2020
Kirkus Reviews Issue: Aug. 15, 2020
Review Program: Kirkus Indie
Squeamish readers will find this isn’t their cup of tea.
Dexter meets Killing Eve in Wallace’s dark comic thriller debut.
While accepting condolences following her father’s funeral, 30-something narrator Claire receives an email saying that one of her paintings is a finalist for a prize. But her joy is short-circuited the next morning when she learns in a second apologetic note that the initial email had been sent to the wrong Claire. The sender, Lucas Kane, is “terribly, terribly sorry” for his mistake. Claire, torn between her anger and suicidal thoughts, has doubts about his sincerity and stalks him to a London pub, where his fate is sealed: “I stare at Lucas Kane in real life, and within moments I know. He doesn’t look sorry.” She dispatches and buries Lucas in her back garden, but this crime does not go unnoticed. Proud of her meticulous standards as a serial killer, Claire wonders if her grief for her father is making her reckless as she seeks to identify the blackmailer among the members of her weekly bereavement support group. The female serial killer as antihero is a growing subgenre (see Oyinkan Braithwaite’s My Sister, the Serial Killer, 2018), and Wallace’s sociopathic protagonist is a mordantly amusing addition; the tool she uses to interact with ordinary people while hiding her homicidal nature is especially sardonic: “Whenever I’m unsure of how I’m expected to respond, I use a cliché. Even if I’m not sure what it means, even if I use it incorrectly, no one ever seems to mind.” The well-written storyline tackles some tough subjects—dementia, elder abuse, and parental cruelty—but the convoluted plot starts to drag at the halfway point. Given the lack of empathy in Claire’s narration, most of the characters come across as not very likable, and the reader tires of her sneering contempt.
Squeamish readers will find this isn’t their cup of tea.Pub Date: April 16, 2024
ISBN: 9780143136170
Page Count: 336
Publisher: Penguin
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
Small-town claustrophobia and intimacies alike propel this twist-filled psychological thriller.
The loss of her police officer father and the discovery of an abandoned car in a local lake raise chilling questions regarding a young woman’s family history.
When Hazel Sharp returns to her hometown of Mirror Lake, North Carolina, for her father’s memorial, she and the other townspeople are confronted by a challenging double whammy: As they’re grieving the loss of beloved longtime police officer Detective Perry Holt, a disturbing sight appears in the lake, whose waterline is receding because of an ongoing drought—an old, unidentifiable car, which has likely been lurking there for years. Hazel temporarily leaves her Charlotte-based building-renovation business in the capable hands of her partners and reconnects with her brothers, Caden and Gage; her Uncle Roy; her old fling and neighbor, Nico; and her schoolfriend, Jamie, now a mother and married to Caden. Tiny, relentless suspicions rise to the metaphorical surface along with that waterlogged vehicle: There have been a slew of minor break-ins; two people go missing; and then, a second abandoned car is discovered. The novel digs deeper into Hazel’s family history—her father was a widow when he married Hazel’s mother, who later left the family, absconding with money and jewels—and Miranda, a consummate professional when it comes to exposing the small community tensions that naturally arise when people live in close proximity for generations, exposes revelation after twisty revelation: “Everything mattered disproportionately in a small town. Your success, but also your failure. Everyone knows might as well have been our town motto.”
Small-town claustrophobia and intimacies alike propel this twist-filled psychological thriller.Pub Date: April 9, 2024
ISBN: 9781668010440
Page Count: 368
Publisher: Marysue Rucci Books
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
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