Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

Next book

LIFEMOBILE

An enjoyable ride with an atypical father–son relationship.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

The semiautobiographical account of a middle-age widower who buys a classic convertible to help bond with his teenage son, who’s afflicted by Asperger’s syndrome.

Two years after the death of his wife, Annie, Rintels’ unnamed narrator faces the prospect of loneliness. His precocious 19-year-old son, Benjy, is set on attending college a couple hours away so he can live independently, but Benjy’s determination is mitigated by his Asperger’s syndrome, which requires near-constant attention, medication and special courses in school. He insists on referring to himself and others with disabilities as “different.” As Benjy waits for what he expects to be a letter of acceptance from Wheeler College, which caters to students with Asperger’s, his father reflects on his own, late father’s 1965 Chevrolet Corvair, nicknamed the Deathmobile. With its sleek design and notoriously accident-prone track record, Ralph Nader famously deemed the Corvair America’s “most unsafe car.” Nevertheless, Benjy’s father purchases one on eBay, admittedly because he needed “something to plug the gaping hole [caused by] Annie’s passing and Benjy’s leaving home,” though ever-rational Benjy simply claims, “It’s just an old car, Dad.” Dad imagines serious male bonding time during the drive home to Virginia from Florida, where the car was purchased, while Benjy sees an opportunity to prove he can survive a couple days alone at the house, despite his condition. Besides, Benjy pleads, the letter from Wheeler might arrive early. Dad begrudgingly agrees to let Benjy stay, and while he’s a thousand miles away, the letter indeed arrives but in the form of crushing rejection. Soon after his father returns, however, Benjy learns that the car is, like him, different, so he becomes a Corvair advocate, too. Thus begins a new journey, one on which father and son encounter an embittered, wheelchair-bound veteran who owns a Corvair junkyard, and sprightly, neon-haired Katie, a McDonald’s employee and Benjy’s schoolmate crush. The Deathmobile, which finally serves as an unlikely race car, grafts a relationship torn by loss and misunderstanding. With its fast pace, lightheartedness and themes of acceptance and determination, Rintels’ touching, semiautobiographical debut seems best suited for the YA crowd. Where the novel occasionally veers into predictable or sappy terrain (the title’s ironic significance is almost painfully barefaced), the story redeems itself with absorbing dialogue—particularly in Benjy’s deadpan responses to his father’s jokes and metaphors—and crisp prose that is, if at times oversentimental, often stirring and packed with emotion.

An enjoyable ride with an atypical father–son relationship.

Pub Date: June 5, 2012

ISBN: 978-1935212928

Page Count: 192

Publisher: Prospecta Press

Review Posted Online: Dec. 5, 2012

Kirkus Reviews Issue: Jan. 15, 2013

Categories:

Awards & Accolades

Likes

  • Readers Vote
  • 104


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Awards & Accolades

Likes

  • Readers Vote
  • 104


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

Awards & Accolades

Likes

  • Readers Vote
  • 30


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

WHISTLER

An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.

Awards & Accolades

Likes

  • Readers Vote
  • 30


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A chance meeting in a museum unlocks a long-closed door in a family’s past.

Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”

An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.

Pub Date: June 2, 2026

ISBN: 9780063511637

Page Count: 304

Publisher: Harper/HarperCollins

Review Posted Online: April 6, 2026

Kirkus Reviews Issue: May 1, 2026

Close Quickview