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STEPHEN AND THE BEETLE

A memorable lesson in mindfulness.

A small boy’s response to a beetle in the garden triggers profound moral questions in this arresting visual tour de force.

When Stephen spies a wee beetle in his garden, he instinctively removes his shoe and raises his arm to crush it. Oblivious to its impending demise, the beetle goes “on about its business.” Then Stephen pauses and wonders where the beetle is going and what it is doing. He muses, “If I drop my shoe…the day will go on just the same, except for one small thing.” Instead of killing the beetle, Stephen lays his head on the ground and observes it. Up close, the beetle resembles a “terrible triceratops” poised for attack. Then the beetle seems to remember something and walks off. This simple yet powerful life-or-death drama between the boy and the beetle is vividly captured in Carrer’s striking, highly original acrylic, ink pencil, oil pastel and collage illustrations. Using naive outlines, Expressionistic color washes, open spaces and constantly changing perspectives, she creates tension between the aggressive boy and the passive beetle. Initially Stephen dominates the page, but following the existential moment of choice when he realizes the consequences of his intended action, the beetle becomes the visual focus, eventually assuming gargantuan proportions during their eye-to-eye standoff.

A memorable lesson in mindfulness. (Picture book. 2-5)

Pub Date: Aug. 1, 2012

ISBN: 978-1-55498-192-2

Page Count: 36

Publisher: Groundwood

Review Posted Online: June 26, 2012

Kirkus Reviews Issue: July 15, 2012

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LITTLE BLUE TRUCK'S HALLOWEEN

Beloved Little Blue takes a bit of the mystery—and fear—out of Halloween costumes.

A lift-the-flap book gives the littlest trick-or-treaters some practice identifying partygoers under their costumes.

Little Blue Truck and his buddy Toad are off to a party, and they invite readers (and a black cat) along for the ride: “ ‘Beep! Beep! Beep!’ / says Little Blue. / ‘It’s Halloween!’ / You come, too.” As they drive, they are surprised (and joined) by many of their friends in costume. “Who’s that in a tutu / striking a pose / up on the tiniest / tips of her toes? / Under the mask / who do you see?” Lifting the flap unmasks a friend: “ ‘Quack!’ says the duck. / ‘It’s me! It’s me!’ ” The sheep is disguised as a clown, the cow’s a queen, the pig’s a witch, the hen and her chick are pirates, and the horse is a dragon. Not to be left out, Little Blue has a costume, too. The flaps are large and sturdy, and enough of the animals’ characteristic features are visible under and around the costumes that little ones will be able to make successful guesses even on the first reading. Lovely curvy shapes and autumn colors fade to dusky blues as night falls, and children are sure to notice the traditional elements of a Halloween party: apple bobbing, lit jack-o’-lanterns, and punch and treats.

Beloved Little Blue takes a bit of the mystery—and fear—out of Halloween costumes. (Board book. 2-4)

Pub Date: July 5, 2016

ISBN: 978-0-544-77253-3

Page Count: 16

Publisher: HMH Books

Review Posted Online: July 19, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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ANIMAL SHAPES

Innovative and thoroughly enjoyable.

You think you know shapes? Animals? Blend them together, and you might see them both a little differently!

What a mischievous twist on a concept book! With wordplay and a few groan-inducing puns, Neal creates connections among animals and shapes that are both unexpected and so seemingly obvious that readers might wonder why they didn’t see them all along. Of course, a “lazy turtle” meeting an oval would create the side-splitting combo of a “SLOW-VAL.” A dramatic page turn transforms a deeply saturated, clean-lined green oval by superimposing a head and turtle shell atop, with watery blue ripples completing the illusion. Minimal backgrounds and sketchy, impressionistic detailing keep the focus right on the zany animals. Beginning with simple shapes, the geometric forms become more complicated as the book advances, taking readers from a “soaring bird” that meets a triangle to become a “FLY-ANGLE” to a “sleepy lion” nonagon “YAWN-AGON.” Its companion text, Animal Colors, delves into color theory, this time creating entirely hybrid animals, such as the “GREEN WHION” with maned head and whale’s tail made from a “blue whale and a yellow lion.” It’s a compelling way to visualize color mixing, and like Animal Shapes, it’s got verve. Who doesn’t want to shout out that a yellow kangaroo/green moose blend is a “CHARTREUSE KANGAMOOSE”?

Innovative and thoroughly enjoyable. (Board book. 2-4)

Pub Date: March 27, 2018

ISBN: 978-1-4998-0534-5

Page Count: 40

Publisher: Little Bee Books

Review Posted Online: May 13, 2018

Kirkus Reviews Issue: July 1, 2018

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