The US debut of Portuguese writer Saragamo: a novel written in the best classical European tradition, rich in allusions, occasionally surreal, and concerned with the human condition. Set in Lisbon, it's the story of the last year of Dr. Ricardo Reis, a man in his late 40s who has come back to Portugal to make a new life for himself. As the old year—1934—ends, Reis disembarks from the steamer that has brought him from Brazil, where he has spent the last 16 years. Unmarried, a poet as well as a doctor, Reis originally fled Portugal because of political upheaval, and a recent revolution in Brazil has in part precipitated his return. He stays first in a hotel, where he is attracted to a young woman guest who comes to Lisbon for medical treatment, and at the same time he takes the hotel maid, Lydia, as his mistress. Meanwhile, a friend and poet, recently dead, frequently accompanies Reis as he walks around Lisbon. There seems little point or purpose to Reis' life. He moves to an apartment, continues his relationship with Lydia, and asks the young hotel guest to marry him, but these seem more gestures of despair than acts of hope. Reis' politics are never really spelled out, but as the year progresses—and it is a significant year as the political situation in Europe and Portugal rapidly deteriorates—Reis finds it more difficult to remain aloof. When Lydia's brother dies in an antigovernment mutiny, Reis realizes that he can no longer be a bystander; but that admission is too much, and he goes off to join his dead friend, afraid to look back because if he does "he might let out finally his mighty howl." A compelling portrait of a man of great sensibilities and bleak vision, who, failing to escape the world in life, prefers death. And the Lisbon of the Thirties that Saragamo describes—gray, run-down, and filled with paupers—further increases this feeling of futility and moral decay. An accomplished debut.
Pub Date: Sept. 1, 1990
ISBN: 0002712784
Page Count: 358
Publisher: Harcourt Brace Jovanovich
Review Posted Online: Oct. 4, 2011
Kirkus Reviews Issue: Aug. 15, 1990
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Once again, Hilderbrand displays her gift for making us care most about her least likable characters.
Hilderbrand’s latest cautionary tale exposes the toxic—and hilarious—impact of gossip on even the most sophisticated of islands.
Eddie and Grace Pancik are known for their beautiful Nantucket home and grounds, financed with the profits from Eddie’s thriving real estate company (thriving before the crash of 2008, that is). Grace raises pedigreed hens and, with the help of hunky landscape architect Benton Coe, has achieved a lush paradise of fowl-friendly foliage. The Panciks’ teenage girls, Allegra and Hope, suffer invidious comparisons of their looks and sex appeal, although they're identical twins. The Panciks’ friends the Llewellyns (Madeline, a blocked novelist, and her airline-pilot husband, Trevor) invested $50,000, the lion’s share of Madeline’s last advance, in Eddie’s latest development. But Madeline, hard-pressed to come up with catalog copy, much less a new novel, is living in increasingly straightened circumstances, at least by Nantucket standards: she can only afford $2,000 per month on the apartment she rents in desperate hope that “a room of her own” will prime the creative pump. Construction on Eddie’s spec houses has stalled, thanks to the aforementioned crash. Grace, who has been nursing a crush on Benton for some time, gives in and a torrid affair ensues, which she ill-advisedly confides to Madeline after too many glasses of Screaming Eagle. With her agent and publisher dropping dire hints about clawing back her advance and Eddie “temporarily” unable to return the 50K, what’s a writer to do but to appropriate Grace’s adultery as fictional fodder? When Eddie is seen entering her apartment (to ask why she rented from a rival realtor), rumors spread about him and Madeline, and after the rival realtor sneaks a look at Madeline’s rough draft (which New York is hotly anticipating as “the Playboy Channel meets HGTV”), the island threatens to implode with prurient snark. No one is spared, not even Hilderbrand herself, “that other Nantucket novelist,” nor this magazine, “the notoriously cranky Kirkus.”
Once again, Hilderbrand displays her gift for making us care most about her least likable characters.Pub Date: June 16, 2015
ISBN: 978-0-316-33452-5
Page Count: 384
Publisher: Little, Brown
Review Posted Online: May 20, 2015
Kirkus Reviews Issue: June 1, 2015
PERSPECTIVES
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