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NARCISSUS LEAVES THE POOL

FAMILIAR ESSAYS

The latest collection of quasi-autobiographical “familiar essays” by Epstein (Pertinent Players: Essays on the Literary Life, 1993, etc.) offers the pleasures of smart faculty-party conversation. The titular opening essay adroitly addresses the 60ish author’s physical appearance in candid detail. It acknowledges the egocentricity of Epstein’s “familiar” variation on the personal essay, but the self-regarding subject is one he knows well and can make amusing. While Epstein’s topics include the social traps of accents and pronunciation (“So to Speak”), aging past 60 (“Will You Still Feed Me?”), the limits of mere talent (“What’s In It for the Talent?”), and “Anglophilia, American Style,” the main subject is himself, Chicago-born former university lecturer and erstwhile editor of the American Scholar. In the case of his experience with bypass surgery, the result is an extraordinarily obvious and prosaic piece of journalism, but that is an exception. Epstein’s lightly worn seriousness, as well as his gift for self deflation and deft way with quotations, distinguish him from the Andy Rooney—Charles Osgood school of commentating when he tackles such finical matters as snoozing (“The Art of the Nap”), the over-knowledgeable classes (“An Extremely Well-Informed S.O.B.”), and pet peeves (his include dumbed-down footnotes, “fun” as an adjective, and the cult of American celebrity exemplified by “the Swiss Family Kennedys”). He can be something of an old fogey, as when he complains in “A Nice Little Knack for Name-Dropping” that there aren—t any good ones to drop today, or bemoans the decline of popular music in the mildly elegiac “I Like a Gershwin Tune.” Closure comes with a remembrance of University of Chicago sociologist Edward Shils (“My Friend Edward”), who seems to represent an ideal Epstein aspires to, from his transatlantic accent and acerbic sense of humor to his thorough erudition, integrity, and disdain for received ideas and academic cant. Vintage Epstein, for those who don—t mind a faint bouquet of self-absorption.

Pub Date: May 14, 1999

ISBN: 0-395-94403-1

Page Count: 336

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2000

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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