by Joseph Finder ‧ RELEASE DATE: April 19, 2005
A highly efficient thriller combining state-of-the-art corporate malfeasance with the old-fashioned kind. You can almost...
A Michigan furniture company CEO’s desperate bid to avoid losing control of his firm takes a back seat (or does it?) to murder most foul.
Ever since he laid off 5,000 employees—half of Stratton Corporation’s workforce—in response to a mandate from Stratton’s new owner, Fairfield Equity, everyone in Fenwick has hated “the Slasher,” Nicholas Conover. But nobody hates him more than the nutcase who’s been breaking into his gated community, scrawling threatening graffiti inside his house, and most recently eviscerating the family dog. His nerves already frayed by his wife Laura’s accidental death and his defiant teenage son, Nick gets his old hockey friend Eddie Rinaldi, now Stratton’s security chief, to install a state-of-the-art burglar alarm in the house Laura picked out not long before she died. The alarm works all too well. It’s been in place only a few days when it summons Nick to a confrontation with an intruder he shoots dead. In one of the few unbelievable moments in this adroitly plotted tale, Nick’s old buddy Eddie persuades him to hide the corpse, and from that moment on, Nick watches in anguish as Det. Audrey Rhimes closes in on the truth inch by inch. Or he would watch if he weren’t frantically trying to balance the day-by-day demands of his hurting kids with the need to do something about his suspicion that Fairfield Equity is isolating him, doing an end run around his America-first policies, and getting ready to sell him down the river—presumably to the unanimous cheers of his friends and neighbors. These headaches may not sound like enough plot for 500 pages, but Finder expertly doles out the suspense and comes up with a climactic twist altogether more plausible and satisfying than the last-minute revelation in Paranoia (2004).
A highly efficient thriller combining state-of-the-art corporate malfeasance with the old-fashioned kind. You can almost hear the movie cameras grinding away.Pub Date: April 19, 2005
ISBN: 0-312-31916-9
Page Count: 528
Publisher: St. Martin's
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Feb. 1, 2005
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by Kathy Reichs ‧ RELEASE DATE: March 17, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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by Caitlin Mullen ‧ RELEASE DATE: March 3, 2020
A lyrical, incisive, and haunting debut.
In Atlantic City, the bodies of several women wait to be discovered and a young psychic begins having visions of terrible violence.
They are known only as Janes 1 through 6, the women who have been strangled and left in the marsh behind the seedy Sunset Motel. They wait for someone to miss them, to find them. That someone might be Clara, a teenage dropout who works the Atlantic City strip as a psychic and occasionally has visions. She can tell there's something dangerous at work, but she has other problems. To pay the rent, she begins selling her company, and then her body, to older men. One day she meets Lily, another young woman who'd escaped the depressing decay of Atlantic City for New York only to be betrayed by a man. She’s come back to AC because there’s nowhere else to go, and she spends her time working a dead-end job and drinking herself into oblivion. Together, Clara and Lily may be able to figure out the truth—but they will each lose something along the way. Mullen’s style is subtle, flowing; she switches the narrative voice with each chapter, giving us Clara and Lily but also each of the victims. At the heart of the novel lies the bitter observation that “Women get humiliated every day, in small stupid ways and in huge, disastrous ones.” Mullen writes about all the moments that women compromise themselves in the face of male desire and male power and how they learn to use sex as commerce because “men are always promised this, no matter who they are.” The other major character in the novel is Atlantic City itself: fading; falling to ruin; promising an old sort of glamour that no longer exists; swindling sad, lonely people out of their money. This backdrop is unexpected and well rendered.
A lyrical, incisive, and haunting debut.Pub Date: March 3, 2020
ISBN: 978-1-9821-2748-0
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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