A twisted take on an old standard that just may have readers rewriting their own favorites.
An omniscient narrator battles Hansel and Gretel for control of the story…and loses, to readers’ delight.
At the start, this seems like the standard fairy tale, but it’s not long before the siblings are contradicting the narrator: “What kind of person SAVES bread crumbs?” Gretel asks, and Hansel adds, “It’s a time of great famine. If there are bread crumbs left, we eat them.” These cheeky retorts only grow more numerous as the tale continues. Gretel also flexes her feminist muscles, demanding the title be “Gretel and Hansel” and that she not do chores while Hansel gets fattened up on a candy diet (or swells from a sensitivity to strawberries, as it turns out: “Food allergies are NOT a joke”). Eventually, the narrator gives up trying to fix the tale and gives the two full control, and things quickly get out of hand: Both end up sporting mustaches, there’s a unicorn named Fluffybottom, and the kids are reunited with their completely innocent parents. Taylor’s digital illustrations take the loony text several steps farther, and readers will enjoy the cameos from characters from other familiar tales. Hansel, Gretel, and their parents present white, and the witch is literally white, with a long, pink nose.
A twisted take on an old standard that just may have readers rewriting their own favorites. (Picture book. 4-8)Pub Date: March 1, 2019
ISBN: 978-1-5039-0294-7
Page Count: 32
Publisher: Two Lions
Review Posted Online: Nov. 20, 2018
Kirkus Reviews Issue: Dec. 15, 2018
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
Although the love comes shining through, the text often confuses in straining for patterned simplicity.
A collection of parental wishes for a child.
It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.
Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)Pub Date: April 1, 2015
ISBN: 978-1-4521-2699-9
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
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