A bloody good tale of grief and murder.
In Morton’s new thriller, a self-proclaimed “exceptional” murderer, who’s on break from his profession following the death of his spouse, decides it’s time to get back to work.
The story begins eight months after British serial killer Arthur Norman’s wife of 12 years, Melissa, died. When his wife was alive, Arthur killed almost 100 people—all deserving of death, he explains. Although Melissa didn’t take part in the killings, she understood what her husband was up to. She was “a razor-sharp lawyer,” Arthur’s narration notes. “She’d put many a dark soul away, and when she couldn’t, she helped her husband get rid of the rest.” Now an obscenely rich 35-year-old widower (“Melissa left me a lot, like, a lot, a lot”), Arthur feels adrift, not up to doing anything—even committing murder. To work up his appetite for killing, he targets Jarrod Walker, a neighborhood cat-killer. Jarrod dismembers felines in his house, and Arthur decides to do the same to him. Midway through his murderous mission, Jarrod’s girlfriend comes home and starts screaming; Arthur has barely finished subduing her before his best friend Abdul calls, offering a dinner invitation. Arthur then juggles a double murder and dinner plans, turning a grisly scene somewhat comic; indeed, a dark sense of humor permeates the book. At another point, Arthur has sex with Ophelia Christos, one of Melissa’s former clients. With Ophelia, Arthur feels peace, not his usual “white-hot, violent rage”; then he learns something about Melissa’s death that storms through him “like a tornado.” One can easily make comparisons between Arthur and infamous serial killer Ted Bundy; the character also resembles the title figure of the Showtime series Dexter in key ways. Aside from a section showcasing Arthur’s excessive self-pity at the beginning, the book has good pacing, and its worthy ending leaves open the possibility of a sequel. The book even almost succeeds in generating a feeling of pity for Arthur, thanks to his sweet memories of his late wife, and his sense of humor effectively lightens the load of his foul moods and gruesome activities.
A bloody good tale of grief and murder.Pub Date: Nov. 9, 2022
ISBN: 9781399940894
Page Count: 282
Publisher: Dystopic Publishing
Review Posted Online: April 4, 2024
Kirkus Reviews Issue: May 15, 2024
Review Program: Kirkus Indie
A rather flat entry in a generally excellent series.
The 25th novel featuring Silva’s legendary protagonist.
During his intersecting careers as art restorer and Israeli spy, Gabriel Allon has tangled with Russian gangsters and al-Qaida terrorists. He has become well-acquainted with operatives in multiple security agencies and befriended a paid assassin. He has busted art thieves and created passable forgeries by Renaissance masters and abstract Modernists. This latest installment centers around his relationship with the pope and a newly discovered painting by Leonardo da Vinci that has gone missing from the Vatican. Silva’s novels tend to fall into two categories: books that reflect the politics of the day and books that don’t. His latest is one of the latter, which could be a treat for readers looking for escape, but it falls flat for a variety of reasons. Luxury has always been part of Gabriel Allon’s universe. It used to be an aspect of tradecraft, though. Allon would be wearing a very expensive suit and driving a very expensive car because he was posing as a client at a Swiss bank. Here, his wife is hosting a catered lunch for 150 of their daughter’s classmates in their apartment overlooking the Grand Canal in Venice. What once felt like a scintillating peek into the world of the obscenely wealthy now just feels…kind of obscene. Similarly, Allon goes chasing after a missing painting as a civilian—he retired from Mossad in Portrait of an Unknown Woman (2022)—the same way another man his age might buy a speedboat or get hair plugs. As the story progresses, the stakes are raised, but it’s hard to forget that Allon is now a middle-aged man pursuing a dangerous hobby, rather than a spymaster leading his intrepid team to prevent a disaster that will disrupt the global order.
A rather flat entry in a generally excellent series.Pub Date: July 15, 2025
ISBN: 9780063384217
Page Count: 416
Publisher: Harper/HarperCollins
Review Posted Online: July 17, 2025
Kirkus Reviews Issue: Aug. 15, 2025
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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