by Julene Bair ‧ RELEASE DATE: March 10, 2014
A lyrical but somewhat distracted narrative that can’t decide whether it’s a love story, a meditation on our lives on this...
A gifted writer describes the ebbs and flows of the arc of a romantic relationship while exploring her own bond to the American heartland.
Bair (One Degree West: Reflections of a Plainsdaughter, 2000) explores her inner emotional life in this spare memoir that eventually becomes equal parts Robert James Waller romance novel, William Least Heat-Moon road show and agricultural exposé memorializing the painful legacy of the independent American farmer. The author begins with her memories of a childhood on the farm in remote Kansas. Returning home after years in metropolitan San Francisco, Bair felt like a stranger in a strange land until she met Ward, a laconic, closeted intellectual rancher who ignited a fire in this single mother. In subsequent sections, we experience Bair’s combative relationship with her son, Jake, to whom Ward represented a potential last chance at a father figure. Coming home, Bair worked with her family to preserve the large industrial farm that had become their family legacy but was faced with the harsh reality that their livelihood contributes to the rapid depletion of the Ogallala aquifer, which supplies over a quarter of America’s irrigated land with water—not to mention the fact that the farm’s fate was being decided on the eve of the ethanol boom. Bair offers an unblinking look at a woman’s place in a patriarchal culture. “A father for Jake, a farmer for Dad,” the author laments. “That’s why the time I’d spend helping Dad during Jake’s toddlerhood had seemed so healing. I had proven I could be that farmer if I wanted to, and Dad had accepted that I could. I rejected all those sexist implications, asserted my own truths, became equal in my own right, but look at me now.”
A lyrical but somewhat distracted narrative that can’t decide whether it’s a love story, a meditation on our lives on this planet or an attempt to follow Upton Sinclair into the depths.Pub Date: March 10, 2014
ISBN: 978-0-670-78604-6
Page Count: 288
Publisher: Viking
Review Posted Online: Jan. 8, 2014
Kirkus Reviews Issue: Jan. 15, 2014
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Reyna Grande ‧ RELEASE DATE: Aug. 28, 2012
A standout immigrant coming-of-age story.
In her first nonfiction book, novelist Grande (Dancing with Butterflies, 2009, etc.) delves into her family’s cycle of separation and reunification.
Raised in poverty so severe that spaghetti reminded her of the tapeworms endemic to children in her Mexican hometown, the author is her family’s only college graduate and writer, whose honors include an American Book Award and International Latino Book Award. Though she was too young to remember her father when he entered the United States illegally seeking money to improve life for his family, she idolized him from afar. However, she also blamed him for taking away her mother after he sent for her when the author was not yet 5 years old. Though she emulated her sister, she ultimately answered to herself, and both siblings constantly sought affirmation of their parents’ love, whether they were present or not. When one caused disappointment, the siblings focused their hopes on the other. These contradictions prove to be the narrator’s hallmarks, as she consistently displays a fierce willingness to ask tough questions, accept startling answers, and candidly render emotional and physical violence. Even as a girl, Grande understood the redemptive power of language to define—in the U.S., her name’s literal translation, “big queen,” led to ridicule from other children—and to complicate. In spelling class, when a teacher used the sentence “my mamá loves me” (mi mamá me ama), Grande decided to “rearrange the words so that they formed a question: ¿Me ama mi mamá? Does my mama love me?”
A standout immigrant coming-of-age story.Pub Date: Aug. 28, 2012
ISBN: 978-1-4516-6177-4
Page Count: 320
Publisher: Atria
Review Posted Online: June 11, 2012
Kirkus Reviews Issue: July 1, 2012
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