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SNAPPSY THE ALLIGATOR (DID NOT ASK TO BE IN THIS BOOK)

More than merely meta, Snappsy is clearly a book, if not a protagonist, with bite.

Picture Rita Skeeter as a chicken for a general sense of this book’s goofy take on intrusive narration and one-sided reporting.

The tale of Snappsy the alligator hits a snag from the start when his trip to the grocery store is interpreted with inaccurate (according to Snappsy) and increasingly nasty commentary. While the authoritative narrator presents Snappsy as a vicious predator, readers who look at the pictures and hear Snappsy’s objections to this misrepresentation will see another side to the story. "Snappsy looked hungrily at the other shoppers,” intones the narrator, while the illustration reveals the alligator mildly smiling and waving as he studies a jar of peanut butter. Eventually Snappsy decides to throw a house party, more to please the narrator by making the tale sound interesting than anything else. And who just happens to come knocking at the door in a party hat? None other than the narrator, ready for the chicken dance. What sets this apart from standard-issue picture-book metafiction is its commentary on selective reporting. Unreliable narration is normally the purview of the novel, but this picture book asks elementary-age readers to question the truth of what they’re being told. Illustrator Miller’s style is cartoonish, showing how background characters are initially swayed by the narrator’s erroneous charges and then won over by Snappsy’s charisma.

More than merely meta, Snappsy is clearly a book, if not a protagonist, with bite. (Picture book. 4-7)

Pub Date: Feb. 2, 2016

ISBN: 978-0-451-46945-8

Page Count: 40

Publisher: Viking

Review Posted Online: Nov. 16, 2015

Kirkus Reviews Issue: Dec. 1, 2015

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ADDIE ANT GOES ON AN ADVENTURE

Young readers will be “antsy” to join the hero on her satisfying escapade.

An ant explores her world.

Addie Ant’s ready for adventure. Despite some trepidation about leaving the Tomato Bed, where she lives with her aunt, she plucks up her courage and ventures forth across the garden to the far side of the shed. On her journey, she meets her pal Lewis Ladybug, who greets her warmly, points the way, and offers sage advice. When Addie arrives at her destination, she’s welcomed by lovely Beatrix Butterfly and enjoys an “ant-tastic” helping of watermelon. Beatrix also provides Addie with take-home treats and a map for the “Cricket Express,” which will take her straight home. Arriving at the terminal, Addie’s delighted to meet another friend, Cleo Cricket, whose carriage service returns Addie home in “two hops.” After eating a warm tomato soup dinner, Addie falls asleep and dreams of future exploits. Adorable though not terribly original, this story brims with sensuous pleasures, both textual and visual. Kids who declare that they dislike fruits or veggies may find their mouths watering at the mentions and sights of luscious tomatoes, peas, beans, watermelons, berries, and other foodstuffs; insect-averse readers may likewise think differently after encountering these convivial, wide-eyed characters. And those flowers and herbs everywhere! The highlights are the colors that burst from the pages. Addie’s an endearing, empowering character who reassures children they’ll be able to take those first independent steps successfully.

Young readers will be “antsy” to join the hero on her satisfying escapade. (author’s note about ants) (Picture book. 4-7)

Pub Date: April 9, 2024

ISBN: 9781797228914

Page Count: 40

Publisher: Chronicle Books

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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