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HOW TO

In these inventive scenarios, children will recognize themselves and find new ways to be.

Smart, clean design and a text built around unpunctuated phrases offer room to pause, ponder and discuss in this book of quiet joy.

Ample white space foregrounds a multicultural cast, whose patterned clothing, props and minimal, but visually exciting, settings take center stage. In the opening spread, “how to go fast,” readers consider options as eight youngsters whoosh by, one riding a scooter, another navigating stilts, a third sporting butterfly wings. The parade’s leader is nearly off the page. “How to see the wind” prompts conversation about the kites, grass and hair shown at various angles—and the metaphysical question itself. Morstad explores topics of interest to children, from “staying close” (two girls sharing one braid) to disappearing—a scene in which meaning comes first from the curtained image; the text is nearly invisible. She intersperses colorful backgrounds, as well as single- and double-spread compositions for an overall effect that elicits anticipation at every turn. As in this Canadian’s illustrations for the work of other authors (Caroline Woodward’s Singing Away the Dark, 2010; Sara O’Leary’s When I Was Small, 2012), the characters’ delicate features exhibit an absorption in their activities that simultaneously signals the seriousness and satisfaction of concentration. The “be happy” conclusion portrays unself-conscious movement—including that initial runner, leaving the book.

In these inventive scenarios, children will recognize themselves and find new ways to be. (Picture book. 2-6)

Pub Date: May 1, 2013

ISBN: 978-1-897476-57-4

Page Count: 36

Publisher: Simply Read

Review Posted Online: March 26, 2013

Kirkus Reviews Issue: April 15, 2013

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LITTLE BLUE TRUCK'S CHRISTMAS

Little Blue’s fans will enjoy the animal sounds and counting opportunities, but it’s the sparkling lights on the truck’s own...

The sturdy Little Blue Truck is back for his third adventure, this time delivering Christmas trees to his band of animal pals.

The truck is decked out for the season with a Christmas wreath that suggests a nose between headlights acting as eyeballs. Little Blue loads up with trees at Toad’s Trees, where five trees are marked with numbered tags. These five trees are counted and arithmetically manipulated in various ways throughout the rhyming story as they are dropped off one by one to Little Blue’s friends. The final tree is reserved for the truck’s own use at his garage home, where he is welcomed back by the tree salestoad in a neatly circular fashion. The last tree is already decorated, and Little Blue gets a surprise along with readers, as tiny lights embedded in the illustrations sparkle for a few seconds when the last page is turned. Though it’s a gimmick, it’s a pleasant surprise, and it fits with the retro atmosphere of the snowy country scenes. The short, rhyming text is accented with colored highlights, red for the animal sounds and bright green for the numerical words in the Christmas-tree countdown.

Little Blue’s fans will enjoy the animal sounds and counting opportunities, but it’s the sparkling lights on the truck’s own tree that will put a twinkle in a toddler’s eyes. (Picture book. 2-5)

Pub Date: Sept. 23, 2014

ISBN: 978-0-544-32041-3

Page Count: 24

Publisher: HMH Books

Review Posted Online: Aug. 11, 2014

Kirkus Reviews Issue: Sept. 1, 2014

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ANIMAL SHAPES

Innovative and thoroughly enjoyable.

You think you know shapes? Animals? Blend them together, and you might see them both a little differently!

What a mischievous twist on a concept book! With wordplay and a few groan-inducing puns, Neal creates connections among animals and shapes that are both unexpected and so seemingly obvious that readers might wonder why they didn’t see them all along. Of course, a “lazy turtle” meeting an oval would create the side-splitting combo of a “SLOW-VAL.” A dramatic page turn transforms a deeply saturated, clean-lined green oval by superimposing a head and turtle shell atop, with watery blue ripples completing the illusion. Minimal backgrounds and sketchy, impressionistic detailing keep the focus right on the zany animals. Beginning with simple shapes, the geometric forms become more complicated as the book advances, taking readers from a “soaring bird” that meets a triangle to become a “FLY-ANGLE” to a “sleepy lion” nonagon “YAWN-AGON.” Its companion text, Animal Colors, delves into color theory, this time creating entirely hybrid animals, such as the “GREEN WHION” with maned head and whale’s tail made from a “blue whale and a yellow lion.” It’s a compelling way to visualize color mixing, and like Animal Shapes, it’s got verve. Who doesn’t want to shout out that a yellow kangaroo/green moose blend is a “CHARTREUSE KANGAMOOSE”?

Innovative and thoroughly enjoyable. (Board book. 2-4)

Pub Date: March 27, 2018

ISBN: 978-1-4998-0534-5

Page Count: 40

Publisher: Little Bee Books

Review Posted Online: May 13, 2018

Kirkus Reviews Issue: July 1, 2018

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