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THE SOUND OF THE HOURS

For fans of indomitable heroines and love in the time of conflict, here’s a stirring new addition to the genre.

Sparks fly between unlikely allies—an African American GI and an Italian girl stripped to her essence by suffering—in a World War II romance set in the harshly defended Tuscan mountains.

Eighteen-year-old Vittoria Guidi joins the Italian partisans after she has lost almost everyone—her mother shot by the Nazis; her father deported to Germany; her cousins likely massacred in a nearby village. With family and meaning torn away and her town ransacked by the retreating German army, she has, she thinks, nothing left to lose. But recently, in Lucca, she met Frank Chapel, an American soldier in the Buffaloes—a segregated troop in the U.S. Army—and a connection sprang to life between them. Frank, battle-hardened by the loss of compatriots, the sheer physical toll of routing the Germans, and the steady drip of racial prejudice, will fight his way to Vittoria’s community, and what began as a glance and a feeling will find the space to blossom. At its best, Campbell’s (Rise, 2015, etc.) impassioned, impressionistic prose infuses her lead characters’ feelings and circumstances with an intensity to match the merciless pressures of the era. Exploring a less familiar corner of the battlefield and the conflicting politics of place and time (Vittoria’s mother supported the fascists, as did many Italians; black soldiers were the subject of intense negative propaganda), she delivers striking immediacy. It’s at the periphery, with the secondary characters, that the novel seems weaker—the cartoon Blackshirt, all sneers and “pus-laden” acne; the token Jews; the gluttonous, meaty German general. Even college-boy Frank, smart and handsome, leans toward stereotype, but the love story, though familiar in form, becomes irresistible, especially in its late, poetic, heroic blaze of selflessness.

For fans of indomitable heroines and love in the time of conflict, here’s a stirring new addition to the genre.

Pub Date: Sept. 17, 2019

ISBN: 978-1-4088-5737-3

Page Count: 464

Publisher: Bloomsbury

Review Posted Online: June 30, 2019

Kirkus Reviews Issue: July 15, 2019

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IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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