Well-produced, pleasingly peopled, with a strong narrative and plenty of provocative plot lines: a superb beginning to the...
Contemporary fantasy meets urban noir in Richardson’s intriguing debut.
Following a savage assault, PI Harper Blaine lies clinically dead for two minutes. When she recovers, her perception of Seattle will never be the same. Along with mundane reality, she sees blowing grey mist and people who aren’t solid. Fearing for her sanity, she consults university professor Mara Danziger, who claims to be a witch. Mara tells confused, disbelieving Harper that the grey mist is the paranormal dimension, occupied by ghosts, monsters and other unspeakable things. Harper’s head injury has turned her into a “greywalker” who can not only perceive the grey but touch and enter it—if she has the skill and the courage. Mara’s resident ghost, Albert, isn’t too scary, but both of Harper’s current cases take alarming paranormal twists. Missing college kid Cameron Shadley has been transformed into a vampire. Cameron’s problem, aside from his overprotective mother, is that the vampire who bit him didn’t bother to provide the requisite survival skills. Harper’s other client, the sinister Grigori Sergeyev, manages to phone her office even when the phone line is down. Sergeyev wants her to recover a missing heirloom that, it transpires, is a focus of terrible necromantic power. Love interest Will Novak, an auctioneer, suspects his boss is ripping him off. And electronics whiz and fix-it guy Quinton, whom Harper consults after her office is broken into, clearly knows more than he’s telling. To solve both cases, Harper may be forced to combine them—as well as learn how to survive inside the grey itself.
Well-produced, pleasingly peopled, with a strong narrative and plenty of provocative plot lines: a superb beginning to the series that’s unquestionably in the offing.Pub Date: Oct. 3, 2006
ISBN: 0-451-46107-X
Page Count: 352
Publisher: ROC/Penguin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2006
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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