A spellbinding fantasy with some moral weight and a meatier narrative than usual, one likely to leave readers quite...
Ross (Some Fine Day, 2015, etc.) conjures an epic of demons and daevas, family, loss, and the turmoil of a kingdom in peril in her second novel.
Nazafareen and her sister, Ashraf, are crossing a frozen mountain range when a wight attacks and takes possession of Ashraf’s body. The experience drives Nazafareen to join the Water Dogs, an elite fighting force that defends the Empire against the incursions of the demonic undead—Druj—by using bound demons, or daevas, against them. These warriors “champion the innocent, protect the powerless, punish the wicked.” Nazafareen’s daeva, Darius, is uncommonly powerful, and the bond they share, both magical and empathic, is at times overwhelming (at one point, Nazafareen muses: “I knew right away where Darius was and what he was doing. It was another side effect of the bond, I’d discovered. I could feel his heart beating…I could shut my eyes and tell you exactly where he was, even if he was hundreds of leagues away”). That connection will be sorely tested, as they race to stop a madman from breaking the chains of every bound demon in the Empire—possibly destroying the kingdom in the process. Nazafareen’s faith will also be tested—faith in herself, her bond with Darius, and the Empire that has long justified the enslavement and mutilation of sentient beings for its own defense. To cap it all off, ancient evil and new ambition are rising to threaten the Empire. This tale’s grand scope is set off beautifully by its intimate start. The story grows wonderfully from such a small seed, and it is the moral and subjective implications of the vastness and impersonality of the Empire that work so well to drive the narrative. The plot builds effectively, and maintains a swift pace. Nazafareen’s initial simplistic motivation, hatred, becomes complicated by her link to Darius, and evolves into something much more intriguing and complex. This transition is helped by the clarity with which the characters are drawn. The immensity of the Empire occasionally threatens to smother the personal tale at the heart of the story, but, like shadows around a candle flame, it never quite manages that feat.
A spellbinding fantasy with some moral weight and a meatier narrative than usual, one likely to leave readers quite satisfied.Pub Date: March 26, 2016
ISBN: 978-0-9972362-1-7
Page Count: 332
Publisher: Acorn Publishing
Review Posted Online: Aug. 1, 2016
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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