A tried-and-true heroic tale made fresh with novelty and well-researched details.
This epic fantasy retelling of a classic story delivers characters both new and familiar.
Danley’s (A Spirited Manor, 2018, etc.) tale has a mythic bent from the beginning, as the corrupt sheriff of Nottingham murders Robin Hood’s father and burns their family farm to the ground. This episode invokes the idea of the monomyth (and a call to action, especially for the farm boy). From there, the story hits familiar beats but keeps them fresh with information from folktales and oral traditions apparently pre-dating the Robin Hood mythos of modern popular culture. Exiled, Robin escapes to Sherwood Forest, where he meets Little John (fleeing the sheriff’s service). The two become friends and join forces with others, adopting a moral code even as they turn to highway robbery to survive. Interestingly, this code is less contingent on their targets’ wealth than their honesty, as Robin and his companions visit justice on only those who lie when asked if they have money. Rather than resorting to violent acts, they have a strict rule against killing and, in fact, invite some weary travelers to join them in their feasts. Further, Robin renounces Christianity early in the story, seeing clergymen as another aspect of the corrupt state, preying on the downtrodden and coveting riches beyond their needs. This stance—as well as the fact that Robin is neither a nobleman nor a loyalist to an absent king, as in some adaptations—sets Danley’s protagonist apart from the simplicity of the morality plays the character often stars in and introduces pagan religion and a philosophy akin to political anarchism, with its strong opposition to unjust hierarchies. Some readers may find that these elements fail to breathe new life into the tale’s well-trod ground, especially as the plot proceeds. Robin (now beloved by the poor) is pitted against an increasingly irate sheriff, forcing the hero to use only his wits and skills to save his friend and lady love. The bones of the narrative are familiar (Little John says of Robin: “He gets one taste of treating folks with kindness, and it is like a thirst that is never quenched”). But the classic story endures for a reason, and many readers will likely find themselves intrigued and entertained by the novel’s rich prose, intense action, historical and mythological depth, and captivating innovations.
A tried-and-true heroic tale made fresh with novelty and well-researched details.Pub Date: Sept. 20, 2018
ISBN: 978-1-72384-312-9
Page Count: 313
Publisher: Time Tunnel Media
Review Posted Online: Nov. 15, 2018
Kirkus Reviews Issue: Jan. 1, 2019
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Once again, Hilderbrand displays her gift for making us care most about her least likable characters.
Hilderbrand’s latest cautionary tale exposes the toxic—and hilarious—impact of gossip on even the most sophisticated of islands.
Eddie and Grace Pancik are known for their beautiful Nantucket home and grounds, financed with the profits from Eddie’s thriving real estate company (thriving before the crash of 2008, that is). Grace raises pedigreed hens and, with the help of hunky landscape architect Benton Coe, has achieved a lush paradise of fowl-friendly foliage. The Panciks’ teenage girls, Allegra and Hope, suffer invidious comparisons of their looks and sex appeal, although they're identical twins. The Panciks’ friends the Llewellyns (Madeline, a blocked novelist, and her airline-pilot husband, Trevor) invested $50,000, the lion’s share of Madeline’s last advance, in Eddie’s latest development. But Madeline, hard-pressed to come up with catalog copy, much less a new novel, is living in increasingly straightened circumstances, at least by Nantucket standards: she can only afford $2,000 per month on the apartment she rents in desperate hope that “a room of her own” will prime the creative pump. Construction on Eddie’s spec houses has stalled, thanks to the aforementioned crash. Grace, who has been nursing a crush on Benton for some time, gives in and a torrid affair ensues, which she ill-advisedly confides to Madeline after too many glasses of Screaming Eagle. With her agent and publisher dropping dire hints about clawing back her advance and Eddie “temporarily” unable to return the 50K, what’s a writer to do but to appropriate Grace’s adultery as fictional fodder? When Eddie is seen entering her apartment (to ask why she rented from a rival realtor), rumors spread about him and Madeline, and after the rival realtor sneaks a look at Madeline’s rough draft (which New York is hotly anticipating as “the Playboy Channel meets HGTV”), the island threatens to implode with prurient snark. No one is spared, not even Hilderbrand herself, “that other Nantucket novelist,” nor this magazine, “the notoriously cranky Kirkus.”
Once again, Hilderbrand displays her gift for making us care most about her least likable characters.Pub Date: June 16, 2015
ISBN: 978-0-316-33452-5
Page Count: 384
Publisher: Little, Brown
Review Posted Online: May 20, 2015
Kirkus Reviews Issue: June 1, 2015
PERSPECTIVES
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