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THE BODYGUARD

Center delivers another satisfying, romantic read with a swoonworthy hero and a delightful main character.

When a professional bodyguard is assigned to cover a famously reclusive actor, sparks fly.

Hannah Brooks is an Executive Protection Agent, better known as a bodyguard. Although many people picture bodyguards as big, burly men, Hannah stays undercover and unnoticed as a 5-foot-5 female agent, often blending in as a nanny. And although Hannah could easily incapacitate or even kill a threat, her job is to “anticipate harm before it ever materializes—and avoid it.” She spends most of her work time traveling the world, which is just how she likes it—that is, until her mother dies, her boss makes her take some time off, and her fellow agent boyfriend dumps her. Now she’s stuck at home in Houston, grieving and lonely, wishing for a job that could take her far away. So when her boss assigns her to an actor who’s visiting his ailing mother in nearby Katy, Hannah’s not interested. Sure, Jack Stapleton is one of the sexiest men alive, but he’s not even sure he needs a bodyguard despite having a very persistent stalker. But Hannah’s boss has no intention of letting her off the hook, so she ends up protecting Jack as he stays with his family on their ranch. Jack hasn’t been in the public eye since his brother died a few years ago, preferring to hide out in the remote mountains of North Dakota instead of making blockbuster films. Now that he’s back in Texas, he doesn’t want his mother to know he has protection, fearing the stress might adversely affect her treatment, so he convinces Hannah to pose as his girlfriend. As Hannah gets to know Jack and his family, she realizes that there’s more to him than she thought—but how much of their connection is real, and how much of it is acting? Center brings her signature warmth and wit to this movie-ready premise, blending a heartwarming romance with quirky side characters and even a little bit of action. Hannah, who worries that she’s inherently unlovable after getting dumped, is an endearing and vulnerable lead underneath her serious, tough-girl exterior.

Center delivers another satisfying, romantic read with a swoonworthy hero and a delightful main character.

Pub Date: July 19, 2022

ISBN: 978-1-2502-1939-8

Page Count: 320

Publisher: St. Martin's

Review Posted Online: April 26, 2022

Kirkus Reviews Issue: May 15, 2022

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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