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CRUSOE

DANIEL DEFOE, ROBERT KNOX, AND THE CREATION OF A MYTH

Frank wisely leaves the minutia of spotting duplication in their works to Defoe scholars while she focuses on the values and...

Alexander Selkirk’s ordeal as a castaway may have seeded the plot for Robinson Crusoe, but Daniel Defoe’s tale is a clear reflection of his own life’s struggles.

At the end of his life, Defoe labeled Crusoe more of an allegory than a novel, implying a good degree of autobiography at the same time. Biographer Frank (Indira: The Life of Indira Nehru Gandhi, 2002) introduces Robert Knox, once a true captive, who survived on his wits and the English practice of making your environment adapt to your needs rather than adjusting to it. Defoe mined information from a vast library, including The Odyssey, The Tempest, Pilgrim’s Progress and an extensive number of published accounts of castaways. As Defoe cherry-picked incidents from different lives, he adapted them to reflect disasters he had suffered. He also had no compunction about fitting other stories neatly into his own. His Captain Singleton contained blatantly lifted passages from Knox’s published story of his 19-year captivity in Ceylon. Frank parallels the lives and adventures of Defoe, Knox and Crusoe, illustrating a deep relationship between author and models. This side-by-side biography of the two men shows similarities between their lives and their attitudes toward disaster, although their personalities and moralities were markedly different. Many have said that Crusoe is much more a self-help book than a novel, while Knox’s story is a treatise rather than a travel book. They both exhibit a similarly distinct philosophy of life. Defoe proselytizes on morals, lessons and their meanings while encouraging his readers to turn the challenges of adversity into advantage. Knox teaches by example.

Frank wisely leaves the minutia of spotting duplication in their works to Defoe scholars while she focuses on the values and beliefs of the two men. Knox came out to be the better of the two, and his little-known story deserves reading.

Pub Date: April 15, 2012

ISBN: 978-1-60598-334-9

Page Count: 368

Publisher: Pegasus

Review Posted Online: Jan. 29, 2012

Kirkus Reviews Issue: Feb. 15, 2012

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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  • IndieBound Bestseller


  • Pulitzer Prize Finalist


  • National Book Award Winner

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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