A passel of industrious peas narrates inventive, alphabetically arranged avocations: “We are peas—alphabet peas! / We work and play in the ABCs.” Amid towering, digitally textured capital letters, Baker’s veggies, sprouting green arms, legs and animated physiognomies, star in scores of charmingly detailed tableaux. At “F,” farmers hoe and water at “Happea Farms,” a duo waves checkered flags at a bike race’s finish line and a quintet of friends jams in a band whose drum kit announces its name: “Pod.” “K” features (soccer) kickers, kayakers navigating the letter’s watery, angled bend and a couple of kings—one atop a tower with crown and scepter, the other crooning into a mike below (he’s Elvis, of course). The well-chosen text type, Frankfurter Medium, pudgy and whimsical, proves eminently crisp and legible for emergent readers. This high-energy romp invites repeat visits by young browsers—there’s plenty to pore over and giggle about. Delicious! Peas out. (Picture book. 3-7)
Pub Date: April 5, 2010
ISBN: 978-1-4169-9141-0
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: Sept. 23, 2010
Kirkus Reviews Issue: March 1, 2010
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
A comical, fresh look at crayons and color
Duncan wants to draw, but instead of crayons, he finds a stack of letters listing the crayons’ demands in this humorous tale.
Red is overworked, laboring even on holidays. Gray is exhausted from coloring expansive spaces (elephants, rhinos and whales). Black wants to be considered a color-in color, and Peach? He’s naked without his wrapper! This anthropomorphized lot amicably requests workplace changes in hand-lettered writing, explaining their work stoppage to a surprised Duncan. Some are tired, others underutilized, while a few want official titles. With a little creativity and a lot of color, Duncan saves the day. Jeffers delivers energetic and playful illustrations, done in pencil, paint and crayon. The drawings are loose and lively, and with few lines, he makes his characters effectively emote. Clever spreads, such as Duncan’s “white cat in the snow” perfectly capture the crayons’ conundrum, and photographic representations of both the letters and coloring pages offer another layer of texture, lending to the tale’s overall believability.
A comical, fresh look at crayons and color . (Picture book. 3-7)Pub Date: June 27, 2013
ISBN: 978-0-399-25537-3
Page Count: 40
Publisher: Philomel
Review Posted Online: April 14, 2013
Kirkus Reviews Issue: May 1, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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