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HOUDINI!!!

THE CAREER OF EHRICH WEISS

Silverman's dense account documents the famous magician's lifelong quest to ensure his reputation—and his metamorphosis from Budapest-born Ehrich Weiss into Harry Houdini, the greatest illusionist of his age. Other biographies of Houdini (often influenced by their subject's pliant versions of events) have sensationalized and distorted the story of his impoverished immigrant childhood, early dime-museum career, and ascent to fame as the ``Handcuff King'' and virtuoso escape artist. Silverman, the Pulitzer Prizewinning biographer of Cotton Mather, approaches this familiar story with painstaking scrutiny and a bit of skepticism, focusing mainly on the magician's act and ego. In response to Houdini's claims of originality, Silverman demonstrates that there were many talented magicians working in the early 20th century. The escape-from-handcuffs act was, he demonstrates, very common. But Houdini transformed it, and the business of stage magic, with his genius for showmanship and relentless self-promotion. Houdini's talents as both performer and publicist get full recognition here: his carefully choreographed, athletic stage act and nimble patter, his open challenges to local locksmiths and staged jailbreaks (executed from the Midwest to Moscow), and finally, at the height of his career, such expensive illusions as making an elephant disappear. Houdini's interior life gets less coverage (although Silverman uncovers a brief affair with Jack London's widow). Houdini also dabbled less successfully as an aviator in Australia and as a movie star. In later life he found a second career as a debunker of mediums, attacking spiritualist frauds more aggressively than he had ever competed with rival magicians. Silverman manages the difficult trick of revealing many of Houdini's personal and professional secrets, penetrating to the reality behind many of the legends surrounding the man, while still leaving some of the mysteries concerning this ferociously driven figure intact. (100 b&w illustrations, not seen)

Pub Date: Oct. 1, 1996

ISBN: 0-06-016978-8

Page Count: 480

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1996

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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