A fitting end to a wild and unique paranormal fantasy saga.
The concluding installment of Hincker’s The History of Light pentalogy chronicles an emotionally fractured painter’s attempt to save the world.
Skysill Beach, an artists’ colony/tourist trap on the Southern California coast, has seen better days: A curse is “dismantling” the world, and everyone outside of the colony may already be dead. Asher Gale, a painter and recovering drug addict at Skysill Beach, has visions (or twisted hallucinations) increasingly filled with apocalyptic images: “I saw the Earth devastated. Everything shattered. A dark disk in the sky. Cities leaning, empty, oceans dried, mountains thrown over.” Reality isn’t much better—the sun has begun to inexplicably go out (“there was a round, black disc in the sky in its place, and darkness deeper than grave shadow everywhere I looked”). Nightmarish monsters are falling from the sky, and grotesque spirits are emerging from inhabitants’ backs like cicadas freeing themselves from shells. With his girlfriend Caroline dead and his essence progressively fracturing, Ash must somehow figure out how to stop the curse and free billions of spirits stuck on Earth yearning to travel through dimensions to the Forgiving Sea, where they can wash their spirits clean before time ends. While this story works well as an eschatological fantasy, it’s ultimately not so much a narrative about unlikely heroes at the end of the world as it is a story about the transcendent power of love. Although Hincker heaps on Ash’s sarcasm and snark throughout the series (sometimes to the detriment of the story’s intensity), the emotional connection between him and Caroline is intense and authentic. Their relationship is the fuel that powers the narrative to its stand-up-and-applaud conclusion. Readers will be enthralled right up to the very last page.
A fitting end to a wild and unique paranormal fantasy saga.Pub Date: June 14, 2024
ISBN: N/A
Page Count: 266
Publisher: Self
Review Posted Online: July 22, 2024
Kirkus Reviews Issue: Sept. 15, 2024
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.
Using mystery and romance elements in a nonlinear narrative, SenLinYu’s debut is a doorstopper of a fantasy that follows a woman with missing memories as she navigates through a war-torn realm in search of herself.
Helena Marino is a talented young healer living in Paladia—the “Shining City”—who has been thrust into a brutal war against an all-powerful necromancer and his army of Undying, loyal henchmen with immortal bodies, and necrothralls, reanimated automatons. When Helena is awakened from stasis, a prisoner of the necromancer’s forces, she has no idea how long she has been incarcerated—or the status of the war. She soon finds herself a personal prisoner of Kaine Ferron, the High Necromancer’s “monster” psychopath who has sadistically killed hundreds for his master. Ordered to recover Helena’s buried memories by any means necessary, the two polar opposites—Helena and Kaine, healer and killer—end up discovering much more as they begin to understand each other through shared trauma. While necromancy is an oft-trod subject in fantasy novels, the author gives it a fresh feel—in large part because of their superb worldbuilding coupled with unforgettable imagery throughout: “[The necromancer] lay reclined upon a throne of bodies. Necrothralls, contorted and twisted together, their limbs transmuted and fused into a chair, moving in synchrony, rising and falling as they breathed in tandem, squeezing and releasing around him…[He] extended his decrepit right hand, overlarge with fingers jointed like spider legs.” Another noteworthy element is the complex dynamic between Helena and Kaine. To say that these two characters shared the gamut of intense emotions would be a vast understatement. Readers will come for the fantasy and stay for the romance.
Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.Pub Date: Sept. 23, 2025
ISBN: 9780593972700
Page Count: 1040
Publisher: Del Rey
Review Posted Online: July 17, 2025
Kirkus Reviews Issue: Aug. 15, 2025
An engaging, imaginative narrative hampered by its lack of subtlety.
The Medusa myth, reimagined as an Afrocentric, feminist tale with the Gorgon recast as avenging hero.
In mythological Greece, where gods still have a hand in the lives of humans, 17-year-old Medusa lives on an island with her parents, old sea gods who were overthrown at the rise of the Olympians, and her sisters, Euryale and Stheno. The elder sisters dote on Medusa and bond over the care of her “locs...my dearest physical possession.” Their idyll is broken when Euryale is engaged to be married to a cruel demi-god. Medusa intervenes, and a chain of events leads her to a meeting with the goddess Athena, who sees in her intelligence, curiosity, and a useful bit of rage. Athena chooses Medusa for training in Athens to become a priestess at the Parthenon. She joins the other acolytes, a group of teenage girls who bond, bicker, and compete in various challenges for their place at the temple. As an outsider, Medusa is bullied (even in ancient Athens white girls rudely grab a Black girl’s hair) and finds a best friend in Apollonia. She also meets a nameless boy who always seems to be there whenever she is in need; this turns out to be Poseidon, who is grooming the inexplicably naïve Medusa. When he rapes her, Athena finds out and punishes Medusa and her sisters by transforming their locs into snakes. The sisters become Gorgons, and when colonizing men try to claim their island, the killing begins. Telling a story of Black female power through the lens of ancient myth is conceptually appealing, but this novel published as adult fiction reads as though intended for a younger audience.
An engaging, imaginative narrative hampered by its lack of subtlety.Pub Date: Nov. 18, 2025
ISBN: 9780593733769
Page Count: 336
Publisher: Random House
Review Posted Online: Aug. 16, 2025
Kirkus Reviews Issue: Sept. 15, 2025
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