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WOLFSONG

A bloated backstory makes this a “to-read” for die-hard fans only.

A lonely man gets a second chance with his shape-shifting boyhood love in this emotional paranormal romance.

Oxnard Matheson is only 12 when his abusive father abandons him and his mother, leaving the boy to quickly step into the role of provider. For a multitude of reasons, Ox lives a solitary life though he’s desperate for connection. His dad’s cruelty dented his self-esteem. He's bullied at school because of his slow speech, and working a full-time job before becoming a teenager doesn't leave much room for a social life. A bright spot comes in the way of new neighbors—the Bennett family—who show up when Ox is 16. He’s instantly accepted by them, finding a close friend in the youngest Bennett, Joe, who’s 10. They’re an odd group, but they take a liking to Ox and soon feel close enough to reveal their secret: They're actually a pack of wolf shifters. Ox hopes they'll become a permanent fixture in the Green Creek community, and they stay for several years. But nothing good lasts forever in Ox’s world, and a devastating murder drives the Bennett family away. It's only years later, when Joe reappears, that Ox can start to address the trauma he's experienced over his frequent abandonment. The vignettes telling the story of Ox's early life feel clunky compared to Klune's more lyrical fantasy offerings. For a large part of the story, Ox is a teenager in desperate need of guidance, falling in love with someone six years his junior. While experiencing Ox’s formative years and constant yearning for connection is undoubtedly important to the story, his adulthood makes for a more compelling (and comfortable) read.

A bloated backstory makes this a “to-read” for die-hard fans only.

Pub Date: July 4, 2023

ISBN: 9781250890313

Page Count: 528

Publisher: Tor

Review Posted Online: May 9, 2023

Kirkus Reviews Issue: June 1, 2023

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IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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